In 2013, we talked about pop artist Bryce Vine who released an EP and performed shows with Karmin. He went on to perform a iHeartRadio live showcase with Z100 and appeared on Late Night With Seth Meyers. Of course this all happened because of his hit song Drew Barrymore which clocked over 80 million streams. At the end of the day, you never can predict a hit. Vine reveals that he never imagined the massive success, “No. I just never wrote songs expecting that. … No, you just try to write good songs and then hope people hear it and then when something explodes, it’s like then you play catch-up.”
Consequently, hits can take minutes to write or months. In Vine’s case, the song was written over many months. Honing on his musical schools, Vine attended Berklee College Of Music which led to a Glee Audition. Sending in an audition tape via Myspace, he made it to the top 12 before being eliminated. After the Glee spectacle is when he released an EP (which we featured), but circumstances changed a bit. “I went through heartbreak and cynicism and stress trying to be like a broke musician in LA like everyone else,” he says. “I hated telling people that I was an artist when I had nothing to show for it. It felt dumb to say, ‘Oh yeah, I’m an artist and I make music, and we should collab.’ I just kept working towards it but it was hard…when you get cynical it’s hard to get out of that.”
Indeed, a hit song can change everything. Zero to hero in a day. With that, he has a new album coming out on Sire Records and will embark on an October tour with MAX.
It’s hard to imagine that Centricity, a small Christian music label based in Nashville has the next Adele, but they do. Her name is Lauren Daigle, and she is hugely popular in the christian circle but virtually unknown in the mainstream.
The Lafayette, Louisiana native, is like an old school vintage painting. Inspired by powerhouses like Celine Dion, Whitney Houston, and Amy Winehouse, the 25 year old admits her love for jazz. Daigle notes, “In South Louisiana, every single thing we do is jazz or zydeco. We grew up going to Randol’s and dancing every Sunday night, going to Frenchman Street in New Orleans, but it really started to come out when I realized I didn’t have it anymore. When I moved to Nashville, it was kind of a devastating blow. I was thinking, “Okay, this is Music City, this is gonna change my life,” and I got up there and the first thing I did was asked all the music people I was surrounded by, “Ok, where’s the jazz?!” They were like, “what are you thinking…” That was when it hit me, like, I just left the greatest place in the world for jazz. I think because of that longing, it grew so much more. So for Christmas, we put out a jazz Christmas record. It definitely has a New Orleans kind of sound.” CONTINUE READING
The powers that be are accessing this years MTV Video Music Awards after hitting another ratings low. Only 5 million viewers decided to tune in. To save face, the network is painting an upswing in social media activity. Still, the show didn’t move sales and streaming numbers for the artists, and that’s what labels and managers hope for. Money is spent and a return is expected. Plus, putting on the show is a hefty cost. One could very well assume that this could be the last MTV awards show. The fat lady may have sung. If MTV thought they had impact on popular culture, the confidence is gone. It’s a new era.
“Because in this bottom-up world, where cultural authority shatters into a million channels of exposure, the hits are harder to foresee—and authority is harder to protect.” – Derek Thompson
If anything, the MTV network looks cursed. Madonna was hired to pay tribute to Aretha Franklin and received the biggest backlash of her career. Post Malone left in a plane that blew two tires and had to make emergency landing, while twitter followers were hoping for his death. In fact, some of the biggest pop stars skipped the ceremony. The Washington Post said Camila Cabello, who was the surprise winner of both Artist of the Year and Video of the Year, was MTV’s way of sending a message to celebrities who don’t show up that they would be ‘punished’ for not showing up at the awards and ‘rewarded’ for attending.
It’s back to the boardroom.
KOAR (Kings of A&R) was the only media outlet that I’m aware of that predicted the Grammys would have a historic viewership decline. It may have been the least watch ever since its formation.
2018 KOAR predictions: 1) Spotify goes public 2) Amazon becomes more of a player in streaming music 3) Rap will have peaked giving room for another genre 4) more acts will break without a big music label 5) The Grammy’s will have a historic low in viewership.
— Kings Of A&R (@kingsofar) January 3, 2018
“With a 12.7/21 in metered market ratings, the Recording Academy’s big hootenanny was also way down from the early numbers for the LA-based February 13, 2017 59th annual show. By way down, I mean a just over 20% decline from last year to what looks to be an all-time low for the ceremony.
Facing the midseason debut of The Walking Dead and even a bit more competition on the rest of the Big 4 than last night’s show, last year’s Adele dominated Grammys eventually claimed 26.05 million viewers and a 7.8 rating among adults 18-49 when the final numbers came in.
Year-to-year, those results were up a tiny bit in total sets of eyeballs from the 2016 Grammys, which were held on a Monday, but basically the same as the February 15 show of almost two years ago in the key demo. All of which had a bottom line of the 2017 Grammys being the most watched since 2014 but the second lowest rated since 2009 – with only 2016 going lower by half a hair.” (Deadline)
Rap has taken over the Spotify Charts and now the genre has dominated the Grammys.
Shockingly, Ed Sheeran’s massive selling “Divide” did not get an Album of the Year nod, neither did albums by Gaga or Kesha. Rather, the Grammys went mostly for R&B and rap: Jay Z, Bruno Mars, Kendrick Lamar and Childish Gambino, who is really the actor Donald Glover.
Rather, all the pop stars including Gaga, Sheeran, Pink, Kelly Clarkson, and Kesha have been pushed down to to best vocal category.
“How the Grammys became the R&B/Hip Hop Awards will be the subject of much discussion at Black Rock today. Their traditional country nominee is absent, which for CBS is a disaster. The only pop singer who scored an Album of the Year nod was Lorde, the 20 year New Zealand singer whose “Melodrama” album not much of a hit compared to her previous outing.
Kendrick Lamar, Glover, Bruno Mars and Jay Z also took up most of the Record and Song of the Year categories even though almost none of that music is not what is typically thought of for those categories. I’ll bet a lot of pop, rock and R&B stars are in shock right now. Ed Sheeran and his team must be having Xanax omelettes.
Again, for older skewing CBS and producer Ken Erlich, this will be a challenge. This is not the show they want. Having no country nominees in the main categories is heart-attack inducing.
There were no nominations for singles released before the September 30th deadline by pop superstars Taylor Swift, Miley Cyrus, and so on. Swift will not be performing “Look What You Made Me Do” with Right Said Fred. Cyrus won’t be singing “Malibu.”
For Jay Z, this must be quite a celebration. He wanted the Grammys at the Barclays Center in Brooklyn. That didn’t happen. Instead, he will be a huge part of the Madison Square Garden show. Stunning.”