Today, what we call the modern world, records and songs are treated like files. The only songs that should be treated like files are ear bleeding contrivedÂ singles. Â Even though it takes more physical effort, I would rather throw a mediocre CD in the trashcan than pressing a delete button. We want to touch, smell, and stare at CD’s that are created by our favorite bands. Fans of career bands like Tool and Pearl Jam respect the artistic vision of these bands including CD packaging. Universal has a new idea and it may work. Universal Music Group is experimenting in Europe to try to boost CD sales.
Universal Music is testing different levels of packaging and pricing for CDs. With cheaper digital music now available, it makes perfect sense for the recording industry to recognize that CDs lend themselves more toward a truly collectible experience than a costly, cookie-cutter product destined to collect dust.
Will this bright idea save the CD? Who knows, but it will certainly appeal to people who have appreciation for the arts. It may not appeal to the “mooches” who want everything for “free” and who are entrenched with digital music files.
TLC member Chili has signed a deal with Konvict Records, the imprint owned by rapper Akon. Expect a summer release. (Coolfer)
The British Phonographic Institute (BPI), an organization that represents the major record labels, has gained approval from the High Court in London to proceed with its action against the Russian pirate music download site AllOfMP3.com. AllOfMP3 which is known as the new “Napster” in the music industry is a digital music download service that offers music downloads worldwide for as little as Â£1 for an entire album.Â AllOfMP3 is not paying any royalties to artists or labels which calls for a criminal investigation. (The Observer)
Major Record labelsÂ are preparing toÂ sue Yahoo China for infringing copyright laws. About 90% of all recordings in China are illegal, with sales of pirated music estimated about $400 million annually, according to record industry officials. EMI, Universal Music Group, Sony BMG Music Entertainment, Warner Music Group Corp., Go East Entertainment Co., Gold Label Entertainment Ltd. and Cinepoly Records Co. last year filed a civil suit against Baidu.com Inc., which is the most-used Internet search engine in China. (LA Times)
French lawmakers gave approval to legislation that could force Apple Computer Inc. to make its iPod and iTunes Music Store compatible with competitor music players and online services. (Associated Press)
Handleman the music distributor will begin cutting costsÂ includingÂ employeesÂ due to the lack of blockbusters coming out of the music business. (Detriot Free Press)
Virgin Group Chairman Richard Branson who has created an empire of about 200 companies in over 30 countries in sectors including air travel, mobile phones, financial, retail, music, Internet, drinks, rail, hotels, etc. announced a rock festival for Canada. The festival will hope to accomodate 50,000 fans, will feature more than 40 acts, including Massive Attack, Flaming Lips and Gnarls Barkley, and the Raconteurs. (Reuters)
U2’s outspoken Bono who has been a leading figure in encouraging the media companies to distribute music online will join the DRM fight. iTunes music is distributed with DRM locks, and DRM restricts the traditional rights of users of copyrighted works. DRM protects major record labels from competition.”
Not too long ago A&R’s signed bands on gut instinct. That is what they were paid for. These days A&R’s look for “indicators” because they no longer know what to sign. Meaning, if some unsignedÂ artist wrote a comparable album to GNR’s “Appetite For Destruction” and didn’t have 50,000 friends on myspace, the band would be looked over. This is idioicy at it’s best considering we know several methods of collecting thousands of friends on myspace every hour. Of course “out of touch” A&R’s just dont know these techniques.
The good news is that the labels just cleaned house and a small number of A&R’s who are left are anxiously hanging on to their jobs.
The bad news is that you still have “out of touch” older execs steering the ship into icebergs like the Titanic. They are more concerned clinging to their prestige than looking for new ways and platforms to break new artists. How is it that all the employees are let go except the ones making all the bad decisions? The problem never seems to be eliminated.
Of course its hard to find great artists that write compelling music, but older execs signing hardcore/screamo bands believing they are going to take over the world is a scary scenario. I’ve witnessed Presidents and CEO’s watching these recycled garage bands in smelly clubs saying “Wow, aren’t they great?”.Â My jaw dropped to the floor. Who’s fooling who? What is so funny dumping hundreds of thousands of dollars into a band that has a frontman that can’t hum a tune? After 10 flops and wasting other peoples money you would think these cats would learn, but insanity has gripped this industry like no other. Insanity is doing the same thing over and over again and expecting different results. Artists and label employees being victimized by “label politics” is at an all time high. President fighting against president is like watching kids in a sandbox fighting over buckets and shovels. Welcome to amateur hour.
What we need is a 50 foot Tsunami traveling at 500mph hitting the East and West Coast taking out Los Angeles and NYC and cleaning up the rest of the mess. Then the real rebuilding may take place.
PS: Just in case, GNR stands for Guns and Roses.