Kickstarter helped raise nearly $20 million for musicians last year.
“Music was the second most-funded category behind Film & Video last year, according to stats just shared by Kickstarter. In total, music projects rallied $19,801,685 (and 21 cents), a healthy chunk of the nearly $100 million in pledges in 2011. That is more than triple the volume from 2010, though we don’t have a music-specific breakdown from last year. ” (Digital Music News)
2011 was another year that changed the musical landscape especially for new artists that are trying to build a career.
The popularity of Facebook prompted artists to use the mega social network as a prime destination spot for fans and attracting new fans. Utilizing Facebook as promotional tool for artists remains competitive. Capturing the publics interest is a challenge in an environment that thrives on minute by minute information.
Of course, great songs and a solid story trumps all other marketing techniques, Adele being a great example. She is overweight and kept her clothes on separating herself from other pop artists. Her success should prove to hopeful artists that there is life beyond pop artists like Lady Gaga and Katy Perry that are cut from the same rug.
After talking to hundreds of artists this past year I hear the same recurring theme. How do I expose my music? Or why isn’t anyone buying my songs? If these questions were proposed to me 10 years ago, I would have the answers. Lock yourself in a studio, record well crafted songs, tour, build a buzz, negotiate a record deal, and land on the cover of Rolling Stone Magazine.
Ironically, The cover of a recent issue of Rolling Stone Magazine featured a relatively unknown band called The Sheepdogs. The band mustered up about 2000 Facebook like over a 2 week period. Hence, Rolling Stone magazine won’t provide you a career, and a late night performance on David Letterman and Jimmy Kimmel won’t have a significant impact either. It’s not that late nights and magazines are not relevant, it’s the content or musical act that’s not making an impact. Don’t blame the messenger, blame the message. I understand my site is only as valuable as the content I publish.
If your waiting for a solution, I am here to tell you that I don’t have one. Neither does anybody else even though they claim to have one. I can only reveal scenarios that have always worked. You need to be on FM radio to have a place in music because the majority of Americans are tuning in. It’s a shocking statistic, but it’s a fact. There are indie acts that make a mark without radio, but it’s an exception and not the rule. I’m here talking about rules, not exceptions. I cannot provide a detailed plan to achieve radio airplay, I just know it’s necessary.
Understanding current tastes will greatly give you an edge. Tastes change quickly but the entertainment business is a gamble. The idea is that you want to understand the current taste and still write from the heart. Yes, it’s a mystery, but it’s been done. This is the ingredient that allowed the legendary acts to survive through the 70’s,80’s,90’s etc.
Rather being consumed by marketing techniques, focus on the music, because music in itself is more powerful than any other marketing strategy. Think of music as the ultimate power source, not Facebook Likes. Presidents have used music to stir up people in there campaigns. Nations who have fought wars used music for victories and defeats. Music is used for worship among all faiths from the beginning of man.
In conclusion, music is the fuel that lights the fire and never underestimate it’s effectiveness in promotion. If you find yourself struggling, it’s more likely the music than the marketing technique. Keep on writing…
Artists believe that Facebook ‘Likes’ hold more value than email signups, Youtube subscribers, and twitter followers according to a survey conducted by ReverbNation and Digital Music News.
Madonna signed a three album deal with Interscope at a base of $1 million per album, after performing 5 years without a record deal. In 2007, she signed a multi-million deal with Live nation that handles her merchandise and touring.
“It’s just about keeping relevance so that she can tour,” a source said, adding, “She is still in the demo phase, but the idea is to get the first album out early next year.”
According to a new survey 93% of Americans (over the age of 12) listen to broadcast radio at least once a week.
One would think that traditional radio would have taken a serious blow from new technology including the iPod, satellite radio, and music streaming sites like Spotify. In fact, broadcast radio listenership has increased since last year.
Rather than discussing theories why Americans still choose broadcast radio, let’s look at the beneficiaries which are the major music labels. Regular radio rotation remains massive for artists and this gives major labels a huge promotional advantage.
“Call radio crusty and out-of-touch, but this is one of the few formats that still reaches tonnage while severely restricting content.” (Digital Music News)