MORE Indie Invaders / POSTED BY: KINGSOFAR

Majors can outsell indies, but indies can turn a bigger profit!Here are some interesting facts and figures from digitalnews.com:

“According to the RIAA earlier this month, shipments of physical configurations to US retailers topped 705 million units in 2005, an 8.0 percent drop from the year earlier. And since peak year 2000, overall shipments have dipped a substantial 25.2 percent. Meanwhile, the digital story helped to soften the blow in 2005, contributing $1.074 billion to an overall $12.270 billion purse, creating a dip of just 0.6 percent year-over-year.�

“A total of 11,070 new releases from major labels during 2005, and 49,261 from independents. Of that combined total, just 32 new releases crossed the one million (platinum) mark, averaging 1.79 million units each. Furthermore, an additional 62 titles crossed the 500,000 (gold) mark, often a minimum break-even level for many releases.�

Why did independents release over 38,000 more records than major labels? Perhaps because they are only spending a fraction of the money. For an independently released album to compete on a major level it takes at least a $100k investment by the label. Majors will spend that much on shrimp cocktail at a signing party. Most indies, however, have little interest in competing in the mainstream and invest more along the lines of $50-75k. With an absolute minimum investment from a major label for an album being in the ballpark of $750k (not including salaries), it’s no wonder they are having such a difficult time breaking even. Indies can sell around 30k records and turn a profit, but if majors don’t hit the Gold or Platinum mark, it’s considered a failure due to the financial loss. With a major label staff making in a year roughly what an indie label would spend on putting out records through its entire existence, it really is no surprise that major labels are trimming down while indies are staffing up.

Twitter
Facebook
Newsletter
Recent Posts
  • Carson Cruz Debuts with “Anything At All,” Blending Pop with Bedroom and Indie Influences
  • From New Zealand, August For Dawn Offers a Hazy, Textured Take on Classic Folk with “Methanol”
  • Plastic Harpoons Strike Gold: Reviving Rock ‘n’ Roll with Their Genre-Blending Sound
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • MC4D Drops New Folktronica Single “Travel On”
  • The Eiffels Release Energetic New Music Video for “Beautiful Life”
  • GRLwood Drops Defiant New Album TEARS Featuring the Bold Track “Fake”
  • Ella Vaillancourt Inspires with Uplifting New Track “Be The Dreamer”
  • Grace Winslow Captures Heartache and Reflection in Her New Track “Never Mind”
  • Jeremy & The Harlequins Deliver Haunting Western Rock Anthem with ‘How Long?’”
  • Matilde G Captures The Raw Pain in the New haunting piano ballad “Cold”
  • Lauren Presley’s “People Live” – A Haunting Anthem About Trauma and Its Impact on Future Relationships
  • Matt Zaddy Reflects on Burnout and Balance with New Single “Far Too Long”
  • Tuesday Madison Shines with Debut Track “Ms. Missunderstood” – A Raw Indie Rock Anthem for the Misunderstood
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird