MORE Indie Invaders / POSTED BY: KINGSOFAR

cds.jpg

US sales of physical CD’s plummeted 20% in the first three months of the year as downloading of songs continued to knock the underpinnings from record studio revenues.

89 million CD’s were sold from the start of the year through March 18 as compared with 112 million CD’s sold during the same period in 2006, according to Nielsen SoundScan.

Sales of individual songs in digital format on the Internet rose from 242 million tracks during those months last year to 288 million this year, according to SoundScan.

Consumers are sending a message to artists that “while you may have put a lot of thought into the sequence of the album, I only like these three songs,” said digital music industry analyst Michael McGuire of Gartner Research.

“It comes back to consumers being in complete control of their media experience, and that is not going backwards,” Gartner told AFP while discussing the drop in album sales and the rise in single-song track purchases.

“This is a tough business being a record label because they have to find new sources of revenue.”

Album sales continue to decline and singles continue to rise. This is a product issue. Artist’s need to make sure they are offering a complete product with more than one single. I still can’t comprehend why major and indie labels allow product to hit the shelves with one single. KOAR will say this again and again…consumers will not purchase music until there is something worth to buy. Nickelback ain’t complaining with 5 million sales, Kelly Clarkson ain’t complaining, Carrie Underwood isn’t moaning, and Daughtry isn’t crying. You can’t contribute ALL this success to American Idol since the TV show has peddled plenty of STIFFs.

HIT Songs that are carried by HIT artists’ will sell records. This is a fact. Now stop hiring bloggers and new media monkeys to peddle more crap and spend some time finding artists that can write hits.

bmi.gif

Twitter
Facebook
Newsletter
Recent Posts
  • You Finished a Song… Now What?
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird