MORE Indie Invaders / POSTED BY: KINGSOFAR

kelly2.jpg

The Kelly Clarskon and Clive Davis drama continues to make press. Honestly, this doesn’t look for the industry mogul and the label. Artists typically want artist friendly partners/labels. Not only that, major labels don’t want this type of press, especially when labels are collapsing.

This is taken from the NY POST.

“Clive is furious because Kelly has assumed total artistic control over her new album and refuses his suggestions,” according to an insider at Sony BMG, the parent of Clarkson’s label, RCA. Davis, who runs Sony BMG, slammed Clarkson at a company retreat in April, saying she can’t produce hits.

And music industry insiders were dumbfounded when Davis took the stage during the “American Idol” finale to plug Taylor Hicks and Katharine McPhee’s new singles, but failed to mention Clarkson’s third album, “My December,” which debuts in June. Instead, Davis promoted the songwriters for one of Clarkson’s hits, “Since U Been Gone.”

clive_davis.jpg

Our insider said, “She wrote all of the second album herself – including the hits ‘Because of You,’ ‘Behind These Hazel Eyes’ and ‘Walk Away.’ Clive hated ‘Because of You’ so much, he would routinely mock it in meetings. It was one of her most successful singles.”

Clarkson is not only one of Sony BMG’s most profitable artists, having sold close to 15 million albums – she is also not a diva.

She hasn’t demanded to renegotiate her deal with the label, our source said, even though “she only gets like $250,000 an album when she could get millions. She refuses to take more money because she wants artistic control. And she has always turned out to be right. If Clive had had his way, she wouldn’t have sold nearly as many albums as she did.

The source added, “Kelly wanted to make a deeply personal record. Here’s an artist who didn’t demand more money, who handed in her record on time in January, after making him millions, and now he rips her? The music business is collapsing, and this is why. They won’t let people put out their real music. This is about his huge ego.”

Now KOAR can’t confirm that this scenario played out exactly in the manner the NY POST reported, but its not completely unbelievable either. Its certainly not the first time A&R’s couldn’t identify HITS. A&R guys and label execs wanting to eliminate certain songs off the record that become #1 Hits is common.

The bottom line is that Kelly Clarkson made Clive, Clive didn’t make Kelly. Simon Cowell who is a great A&R guy said to Kelly during the first half of American Idol “You are going to be HUGE STAR”. Again, Kelly created her own opportunity.

The Bottom Line: Artists break themselves, Labels don’t break artists. Whoever claims other wise is blowing smoke up your ARSE.

(NYPOST)

On another note, check out this performance of Kelly Clarkson live on ABC. Her voice and passion are impeccable. Congrats Kelly, you are a TRUE STAR!

Twitter
Facebook
Newsletter
Recent Posts
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Clover County Drops Catchy New Single “Ultraviolet” from Upcoming EP
  • ZØYA: Rising Pop Artist Blending Faith, Powerful Vocals, and Social Advocacy for Global Impact
  • Estella Dawn Drops Groovy New Track “Julian” as 7th Release of 2024
  • Will Knox: A Master of Storytelling with New Indie Track “Body Talk”
  • MAUMAUMAU Explores Modern Romance with “God Bless The Irony” from Debut Album ‘MAUCH’
  • Lauren Presley Drops Fiery Breakup Anthem “Hint” for Exes Who Won’t Move On
  • Watch out for Azra’s new uptempo rocker, “If It Wasn’t for You
  • Kylie Rothfield Releases “Never Loved Somebody” as First Single from Upcoming Album
  • Peyton Shay Reflects on Heartbreak in “Dashboard Lights” Video: A Fresh Take from Her Upcoming Daydream Police EP
  • Wodan Boys Drop Explosive New Track “Karaoke Rockstar” Ahead of Upcoming EP
  • Tiny Gun’s ‘No Worries If Not’: A Grungy Throwback to NYC’s Iconic Club Scene
  • Feel-Good Folk: Reuben Medlin’s ‘Sunshine Of My Life’ Celebrates Love and Memory”
  • Joshua Golden’s “St. Louis, Missouri” – A Nostalgic Folk Gem
  • “Honest” by Tessa Dalton: A Raw and Relatable Take on Modern Relationships
  • Mal Sounds Embraces Stillness with Lo-Fi EP ‘Still In New York
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird