MORE Indie Invaders / POSTED BY: KINGSOFAR

mtv2.jpg

MTV Video Music Awards has many people wondering whether the longtime popular cable network has completely lost its appeal.

The ratings for the VMAs over the past few years have steadily declined. Even though MTV Video Music Awards scored a 6.4 Rating Up 23% From 2006 it won’t change what really lies ahead. So you recruit a glorified highly talked about TRAIN WRECK to capture the EYES for a second – now what? This is nothing more than a crack head feeling a RUSH for that one second before he hits rock bottom.

Exploiting Britney Spears for ratings is not a long term strategic plan – thats not even a band aid. Thats called a desperate act – the last breath before you die – if you listen close enough you may even hear the DEATH RATTLE. Not only that, its a shameful inhumane tactic. MTV must have a struck a deal with the DEVIL but the DEVIL doesn’t have partners, only VICTIMS…..

Hearing insane statements from a rapper who is having a meltdown and who claims that MTV does not support black people is no longer shocking. We watch it once, laugh, forget about it and go about our day.

MTV programming isn’t what it used to be, pop culture experts told ABCNews.com, but then again, neither is the entertainment industry.

Viewers have many more options for entertainment, and no longer rely solely on MTV, making the audience even harder to impress and the seats even harder to fill with celebrities who are spread thin across various outlets.

“[MTV’s] biggest problem is that, in 1981, they were the only game in town, there was nothing like them,” said Bob Thompson, pop culture guru and professor at Syracuse University.

“But that bird has flown. In the 80s, if you were a kid, MTV was where you went,” said Thompson. “Now, kids have Comedy Central, Adult Swim on the Cartoon Network — there are so many other places providing entertainment.

“I don’t think MTV is ever going to reach the cultural heights where it was in the 1980s,” said Thompson. What makes these cable networks work is a few good hits. Nothing is the same as getting a big hit that everyone is talking about.”

Overall, some critics said this year’s show was also less glamorous than years past, set at the Palms Hotel in Las Vegas, rather than more upscale locales like New York’s Radio City Music Hall.

“In the 80s and 90s, the VMAs were really elaborate, and the amount of money spent was truly extravagant,” said Phil Gallo, associate editor of Variety

The Bottom Line: The overall consensus from bloggers and media outlets was that MTV lost its appeal and was tame and lame. The shock value has replaced artistry. The problem is that there is no more value in shock.

Twitter
Facebook
Newsletter
Recent Posts
  • Carson Cruz Debuts with “Anything At All,” Blending Pop with Bedroom and Indie Influences
  • From New Zealand, August For Dawn Offers a Hazy, Textured Take on Classic Folk with “Methanol”
  • Plastic Harpoons Strike Gold: Reviving Rock ‘n’ Roll with Their Genre-Blending Sound
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • MC4D Drops New Folktronica Single “Travel On”
  • The Eiffels Release Energetic New Music Video for “Beautiful Life”
  • GRLwood Drops Defiant New Album TEARS Featuring the Bold Track “Fake”
  • Ella Vaillancourt Inspires with Uplifting New Track “Be The Dreamer”
  • Grace Winslow Captures Heartache and Reflection in Her New Track “Never Mind”
  • Jeremy & The Harlequins Deliver Haunting Western Rock Anthem with ‘How Long?’”
  • Matilde G Captures The Raw Pain in the New haunting piano ballad “Cold”
  • Lauren Presley’s “People Live” – A Haunting Anthem About Trauma and Its Impact on Future Relationships
  • Matt Zaddy Reflects on Burnout and Balance with New Single “Far Too Long”
  • Tuesday Madison Shines with Debut Track “Ms. Missunderstood” – A Raw Indie Rock Anthem for the Misunderstood
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird