MORE Indie Invaders / POSTED BY: KINGSOFAR

ipod3.jpg

Many claim that people are listening to music more but enjoying it less, some people in the recording industry say they know why. They blame the iPod and the compressed MP3 music files.

Producers,engineers, and mixers assume their recordings will be heard as MP3s on an iPod music player and has become a “reference platform” used as a test of how a track should sound – thus engineering music to a technical lowest common denominator.

“Right now, when you are done recording a track, the first thing the band does is to load it onto an iPod and give it a listen,” said Alan Douches, who has worked with Fleetwood Mac and others. Today, young artists think MP3s are a high-quality medium and the iPod is state-of-the-art sound.”

L.A. engineer Jack Joseph Puig (Rolling Stones and Eric Clapton) says “Ten years ago, music was warmer; it was rich and thick, with more tones and more ‘real power.’ But newer records are more brittle and bright. They have what I call ‘implied power.’ It’s all done with delays and reverbs and compression to fool your brain.”

Producer Howard Benson, who has worked with Santana, My Chemical Romance and Chris Daughtry, says members of a studio recording crew will sometimes complain after a session, “I just spent all this time getting the greatest guitar and drums solo, and it ends up as an MP3.” (WSJ)

The Bottom Line – Advancement in technology is supposed to improve or enhance. Although new music technology has made it easier to organize and deliver, it hasn’t enhanced or improved sound. We have alot of mountains to climb…

Twitter
Facebook
Newsletter
Recent Posts
  • Bad Bunny’s Super Bowl Halftime Show: Culture Clash or Cultural Progress?
  • Haley Grace Debuts With Heartfelt Single “Kiss Me Before You Go”
  • Braylin Bursts Onto the Scene With Debut Pop Single “Achoo”
  • Abbie Anne Unveils Emotional New Ballad Ladder Called Life
  • Alyssa Caroline drops new single “Fire To Ash”
  • Lauren Presley Channels Early Avril Lavigne on New Single “Trade Secrets
  • Komanii – Last Days of Summer EP
  • Natalie Shay Drops Uptempo Pop Single “Do u relate?”
  • Estella Dawn Stands Tall in New Single “I Like It Rough”
  • Angela Chambers Unleashes The Key, A Haunting Journey Through Toxic Love and Freedom
  • Carson Cruz Releases New Single “Private Fool”
  • “There Is Hope” Marks the New Release from Sassy Grace
  • New Artist Feanah Rose Releases First Single “Don’t Leave Me”
  • stella. Drops the new single “Heimlich”
  • Winter Andrews Releases “All That Glitters” Ahead of Debut Album ’til the moon fades away
  • Selina Gin Releases New Single Oh My Heart
  • Shelita Releases New Single Fade Ahead of Upcoming Album
  • Nick Howe Releases New Single Airplane Mode
  • Estella Dawn Reinvents “Skinny Love” with Cinematic Dark Pop Magic
  • Sisters Unveil Haunting Debut “Sweetness of Things”
  • Malachi Mize Brings Hope and Healing with Debut Single “Until Next Time”
  • Alanna A. Love Releases Debut Single “Running Away”
  • Jaya Kellogg Drops Addictive Debut Single “Background Noise”
  • SolyMar: gen.wav & KHR!S João Blend Latin Soul and Electro Vibes in Debut Collab Album
  • ZØYA Returns with Mid-Tempo Anthem of Strength and Self-Worth
  • Estella Dawn Drops First Original of the Year with “Move Down Lover”
  • Louis Torre Finds the “Silver Lining” in New Alt-Pop Single Ahead of Debut Album
  • Ronnie Sets Sail with “Yacht Club,” a Roots-Infused Americana Pop Gem
  • Ava Della Pietra Returns With Haunting Pop Single “2 can play”
  • hyoon Drops New Single “Stupid For You” – A Lo-Fi, Soulful Ode to Toxic Love
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2025 Kings of A&R     Website Design by PaleBird