MORE Indie Invaders / POSTED BY: KINGSOFAR

doug.jpg

A interview with Universal CEO Doug Morris that comes out in the December issue of Wired Magazine is a hot topic and has stirred up a storm of opinions. Doug Morris touches on several topics effecting the record industry including the iPod, iTunes, technology allowing new configuration, and file sharing. He says Universal Records will eventually transition from running a product-based business to running a service-based one.

Morris seems to be grappling with his emotions in the interview especially when it comes to downloading free music.

Morris Says:

An album that someone worked on for two years — is that worth only $9, $10, when people pay two bucks for coffee in Starbucks?” Morris sighs. “People never really understand what’s happening to the artists. All the sharing of the music, right? Is it correct that people share their music, fill up these devices with music they haven’t paid for? If you had Coca-Cola coming through the faucet in your kitchen, how much would you be willing to pay for Coca-Cola? There you go,” he says. “That’s what happened to the record business.”

“This business had been the same for 25 years,” he says. “The hardest thing was to get something that somebody wanted to buy — to make a product that anybody liked.”

This quote from Morris is spreading through the internet and is getting hammered by critics.

“There’s no one in the record industry that’s a technologist,” Morris explains. “That’s a misconception writers make all the time, that the record industry missed this. They didn’t. They just didn’t know what to do. It’s like if you were suddenly asked to operate on your dog to remove his kidney. What would you do?” “We didn’t know who to hire,” he says, becoming more agitated. “I wouldn’t be able to recognize a good technology person — anyone with a good bullshit story would have gotten past me.”

Morris attempts to answer his critics by claiming that the record industry is a business of nurturing and breaking artists, not keeping up with the technological movement. Instead, Morris opened himself to more criticism. The record industry was well aware that the internet opened the flood gates and file sharing was becoming rampant. Rather than jumping head first into the digital age, the record industry is living between two worlds (physical and digital) and trying to capitalize on both. Most industries like the record industry are grappling with the same problem. I believe this quote sums it up, “Today, we are living in a chaotic transition period to a new age defined by global competition, rampant change, faster flow of information and communication, increasing business complexity, and pervasive globalization”.

Twitter
Facebook
Newsletter
Recent Posts
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Clover County Drops Catchy New Single “Ultraviolet” from Upcoming EP
  • ZØYA: Rising Pop Artist Blending Faith, Powerful Vocals, and Social Advocacy for Global Impact
  • Estella Dawn Drops Groovy New Track “Julian” as 7th Release of 2024
  • Will Knox: A Master of Storytelling with New Indie Track “Body Talk”
  • MAUMAUMAU Explores Modern Romance with “God Bless The Irony” from Debut Album ‘MAUCH’
  • Lauren Presley Drops Fiery Breakup Anthem “Hint” for Exes Who Won’t Move On
  • Watch out for Azra’s new uptempo rocker, “If It Wasn’t for You
  • Kylie Rothfield Releases “Never Loved Somebody” as First Single from Upcoming Album
  • Peyton Shay Reflects on Heartbreak in “Dashboard Lights” Video: A Fresh Take from Her Upcoming Daydream Police EP
  • Wodan Boys Drop Explosive New Track “Karaoke Rockstar” Ahead of Upcoming EP
  • Tiny Gun’s ‘No Worries If Not’: A Grungy Throwback to NYC’s Iconic Club Scene
  • Feel-Good Folk: Reuben Medlin’s ‘Sunshine Of My Life’ Celebrates Love and Memory”
  • Joshua Golden’s “St. Louis, Missouri” – A Nostalgic Folk Gem
  • “Honest” by Tessa Dalton: A Raw and Relatable Take on Modern Relationships
  • Mal Sounds Embraces Stillness with Lo-Fi EP ‘Still In New York
  • Fiji Blue Delivers Heartfelt Melancholy with New Single ‘Angel’
  • Oslo’s SIKADE Delivers Dreamy Indie Folk Vibes with New Track ‘Bloody Moon
  • Flora Cash Delivers Heartfelt Melancholy with ‘My Ex Would’ve Left By Now’
  • Natalie Clark’s ‘Iced Tea’: A Breezy, Quirky Anthem for Summer Days
  • Reuben Medlin Drops ‘Sunshine Of My Life,’ Blending Dreamy Pop Rock with Beatle-esque Melodies”
  • Cole LC Drops Good Vibes with New Banger ‘Marching on Together (feat. Deewaan)
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird