MORE Indie Invaders / POSTED BY: KINGSOFAR

18 Million Pumped Into Stiffs: About 60 people lost their jobs at Interscope and Geffen Records on Thursday when both labels merged into one. According to sources, a budget of $18 million was spent in making and promoting the Will.I.Am, Nicole Scherzinger(Pussycat Doll) and Eve albums – all were bombs and two aren’t even out yet.

snocap.png

Is Snocap Melting Away? P2Pnet discusses the possiblity of the mp3 digital retailer Snocap dissolving and offers the gloomier view in monotizing music. The business of selling recorded music is unprofitable for everyone and filling the void are a host of online new companies with enthusiasm but no better economics. Apple can’t even make money selling music, its the ipod that generate revenue. If Apple can’t make money selling music from the major labels, it is suicidal to think that Snocap could make money selling music only from indies. Selling music is like selling gravel. It’s a commodity says p2pnet.

Tickets go on sale at 10:0o a.m., sold out by 10:05 a.m.: Brokers use specialized software to make multiple online purchases of tickets, avoiding the four-ticket-per-customer limit. Kevin McLain, Ticketmaster’s senior director of applications support, estimates that on some days, 80 percent of all ticket requests that arrive at its Web site are generated by bots. For example, Hannah Montana tickets, whose face value is $21 to $66, have been resold on StubHub, on average, for $258, and that is without taking into account StubHub’s 25 percent commission (10 percent paid by the buyer, 15 percent by the seller). Speak about inflation! Do you feel like a sucker? You should. The solution is stop buying tickets for over priced concerts until a settlement is reached between Ticketmaster and RMG Technologies (A company that uses bots). The case is scheduled to go to trial in October 2008.

Twitter
Facebook
Newsletter
Recent Posts
  • Brett Ryder Channels ’90s Alt-Rock Nostalgia on Hook-Driven Single “Undone”
  • Rudy Nuño & Aimee Interrupter Deliver Quiet Strength on “Brave”
  • Heddy Edwards Blends Indie & Alt-Pop on “Cinematic Vision”
  • Angelica Appelman Steps Into a New Era with Her Single “Half-Hearted”
  • Nyah Huck Releases Debut Single “Cuts and Bruises”
  • HAPPY LANDING Expands Their Sound With “Radiate” Ahead of Big Sun
  • You Finished a Song… Now What?
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird