MORE Indie Invaders / POSTED BY: KINGSOFAR

Fighting Piracy: The New York Times article ‘Verizon Rejects Hollywood’s Call to Aid Piracy Fight‘ shows us how much work needs to be done and how big companies are reluctant to change and effectively position themselves in a new era.

“We generally are reluctant to get into the business of examining content that flows across our networks and taking some action as a result of that content. “We don’t want to solve any network congestion issues by restricting the flow of certain kinds of traffic” says Tom Tauke, Verizon’s executive vice president for public affairs.

The truth is Verizon only wants to fight battles that inherently affect their corporate profits. For instance, Verizon sued and literally bankrupt Vonage over alleged patent infringements. Music piracy does not cut into Verizon’s profits and would actually cost them money to police the flow of traffic.

AT&T understands the new era and is talking about developing a system that would identify and block illicitly copied material being sent over its broadband network.

New York’s New Rock Station: Radio station WQCD (101.9) pulled th plug on Jazz and re-emerged as WRXP, “New York’s Rock Experience.” WRXP describes itself as a mix of classic rock, new music, alternative and local rock.

Ours: KOAR received an interesting press release today regarding the indie band Ours. Ten years after signing with Dreamworks, having never sold many records, perceived as uncompromising and difficult, four record companies later…Why has Rick Rubin made Ours a priority at Columbia records? read the full press release in our comment section.

New Streams: You can now stream the new Simple Plan record here. The self titled record will be released 2/12.
Listen to the tracks The End and Love Is Lie.

Counting Crows has posted a song called “You Can’t Count On Me” that can be streamed here.

Twitter
Facebook
Newsletter
Recent Posts
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird