MORE Indie Invaders / POSTED BY: KINGSOFAR

The 2008 Lineup: Austin City Limits Music Festival, scheduled for Sept. 26-28 has announced its lineup and can be viewed here.

New Music: I’m not a particular fan of metal, especially the passionless digitized-sounding metal that came in the year 2000 that left Metallica sounding like the Beatles. I do like the track Isabella’s from the metal band
Destroy The Runner, it has a solid melody.

Motley Crue and Live Nation? Motley Crue is expected to make an announcement in Los Angeles tomorrow, and sources have told Pollstar.com what that big announcement is. Motley Crue is expected to be the next 360-deal signing to Live Nation Artists, adding to the pool that includes Madonna and Jay Z.

Ticketmaster Boasts Virtual Friends: Ticketmaster has created fake Facebook profiles to boost fake popularity and somehow has garnered nearly 157,000 fans on Facebook and created thousands upon thousands of fake accounts according to Valley Mag. How funny!

TuneCore Payout: Brooklyn-based TuneCore paid participating artists more then $1 million in January, according to Digital Music News. According to the company, the bulk of revenues are coming from smaller, unsigned acts, and the most successful is Josh Kelly, who earned $135,000 though TuneCore.

Hip-hop ‘wrong’ for Glastonbury: The Oasis guitarist said having rapper Jay-Z at the festival was the reason ticket sales have been sluggish and had not sold out this year. He said it was “wrong” to have a hip-hop headliner and added that organisers had changed things too much.

Chrysalis Ends Talks With EMI: Chrysalis rejected a £104 million takeover offer from EMI and said that it was no longer talking with potential buyers.

Twitter
Facebook
Newsletter
Recent Posts
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird