MORE Indie Invaders / POSTED BY: KINGSOFAR

itunes2

Apple’s iTunes will increase the price of hit singles and in-demand tracks to $1.29 on April 7th. The new variable pricing method will also reduce the price of other songs. Label executives contend the new pricing will allow them to offer packaged downloads of songs that might entice consumers to spend more on music. (Los Angeles Times)

Critics say:

“Some music industry veterans are criticizing the 30% hike price, saying the timing is tone deaf because it comes in the midst of a recession and at a time when spending for online music appears to have reached a plateau.”

“This will be a PR nightmare,” predicted former EMI Music executive Ted Cohen, who is managing partner of digital media consulting firm TAG Strategic. “It is for the music industry what the AIG bonuses are for the insurance industry.”

“Wouldn’t it make sense to try to price it cheaper instead of squeezing the handful of people who are still willing to pay for music?” he said.

Supporters say:

“If you’re not drawing new people and your spending isn’t growing, it’s a natural part of the product life cycle” to raise prices, said Russ Crupnick, a senior analyst for NPD Group. Crupnick said he doubted a 30-cent price increase would prevent iTunes customers from buying a hot new release from artists like Kelly Clarkson, Flo Rida or Lady Gaga. He noted that offering a discounted second track packaged with a premium priced song from the same artist could boost sales.

The Bottom Line: In the hey day, artists successfully delivered an entire package what we called an album. Today, the act thrives on a single and usually the single alone. With the help of technology and the lack of an album – consumers have trained themselves to listen and purchase singles only, hence, it’s natural progression to increase the worth of the single.

Twitter
Facebook
Newsletter
Recent Posts
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Grace Luv Steps Into Her Power With “Misery Luvs Company”
  • Ava Della Pietra Brings a Cozy Twist to a Holiday Classic With “Last Christmas”
  • Natalie Shay Finds Luck on the Road With “Four Leaf Clover”
  • Echo The Screen Makes a Stunning Debut With “Frankenstein”
  • Lou Emery Unleashes Emotional Turbulence on “House of Cards”
  • Ava Franks Captures the Rush of New Love on “Every Day”
  • GOODTWIN Returns With Their Most Infectious Release Yet On “Fool”
  • Goldfrapp Returns With A Stunning Rework Of “Beautiful”
  • Estella Dawn Unloads a Gut-Punch of Dark Pop on “You Didn’t Text Me”
  • Bella D. Drops Fierce Debut “G.R.I.T.” – A Grungy Electro-Pop Anthem
  • Bailey Coats Returns with Her Comeback Anthem “BLAME”
  • Sienna Melgoza Continues Her 2025 Hot Streak with “Hate It When I See Ya”
  • ZØYA – Alone, But Not Lonely (EP Out Now)
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird