MORE The Latest / POSTED BY: KINGSOFAR

Spotify

Nearly two years after launching in the U.S. primarily via word-of-mouth, Spotify will air its first in a series of U.S. TV ad commercials on NBC’s “The Voice” Monday night as part of a larger branding campaign valued at over $10 million in media spend. The campaign, titled “For Music,” will feature digital and social media ads, with additional TV spots to air on NBC’s “Late Night With Jimmy Fallon” as well as Viacom’s MTV, MTV2, VH1 and other networks in the coming weeks.

A trio of spots released online Monday afternoon, created by ad agency Droga5, take a more existential approach to the streaming music service, focusing more on the feelings that music evokes rather than any specific product offerings. It’s an interesting tactic for a company that recently touted its 6 million paid worldwide subscribers at South By Southwest earlier this month.

One spot, which airs tonight on “The Voice,” features a crowdsurfer sailing across a sea of packed fans at a concert, with a voiceover posing the question, “Why can a song change the world?” The speaker then offers a list of answers, including, “Because we were all conceived to a 4/4 beat. Because music can’t be stopped. Can’t be contained. It’s never finished.” Read more

Twitter
Facebook
Newsletter
Recent Posts
  • Vultures of Culture Soar with New Track “Catch and Release”
  • Grace Winslow Drops New Track “I Hope You’re Happy” – A Bitter Anthem for the Burned
  • Jadelyn Drops New Single ‘Throw It Back’ – A Nostalgic Reflection on Youth and Lost Connections
  • John Adams Drops New Song ‘All the Ways to Love You’
  • Natalie Shay Drops Upbeat Indie Pop Anthem ‘Love You To Death’
  • “Janet Devlin’s ‘Back to My Senses’: A Powerful Blend of Pop, Country, and Soul”
  • Maudlin Strangers’ Drops Grungy Cover of Wicked Game
  • Bella Rios’ “Right Now”: A New Indie Pop Track for Fans of Bedroom Pop and Reflective Vibes
  • Allison Park’s “Hypocrite”: A Haunting Blend of Dark Pop, Jazz, and Introspection
  • Essy Shines Bright with Synth-Pop Gem “Moonlight”
  • Lauren Presley’s “Can I Be Happy” – A Pop Rock Anthem for the Soul
  • Monotronic’s “Everything Moves” – A High-Energy Rocker with a ‘90s Goth Edge
  • Alban Ramosaj Returns with Ghost of the Past—A Haunting Prelude to Heartbreak Motel
  • ZZ Ward’s “Love Alive” Brings Blues Back to the Spotlight
  • Casey Ruth Little’s “Smudge on the Lens” – A Must-Hear for Indie Folk Fans
  • Jadeyn Snider Makes a Powerful Debut with Memories—A Soulful Reflection on the Past and Future
  • Kellan Christopher Cragg’s “After The Rain” is the Indie Folk Song for Your Playlist
  • Yodashe’s “LITE” Brings a Dark Soundscape to Your Playlist
  • Kylie Rothfield Drops Indie Pop Gem ‘Old Man’
  • Romy Mounzer Releases Debut EP Feel: A Bold Blend of Pop and Reggae Fusion
  • PHWOAR Drops Dark, 90s-Inspired Anthem “Waiting for the Sun” Ahead of Upcoming EP
  • Mins Shares “HWYGO,” A Lo-Fi Indie Pop Track About Moving On
  • May The Muse Shines with “Diamonds or Pearls”
  • David Bavas Delivers Heartfelt Reflections with “Old Rusty Sports Cars”
  • Leo and The Lioness Release New Track “Hand Heart”
  • Syd Taylor Drops “Honey Comb,” Blending Vintage Inspiration with Modern Flair
  • Carson Cruz Debuts with “Anything At All,” Blending Pop with Bedroom and Indie Influences
  • From New Zealand, August For Dawn Offers a Hazy, Textured Take on Classic Folk with “Methanol”
  • Plastic Harpoons Strike Gold: Reviving Rock ‘n’ Roll with Their Genre-Blending Sound
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2025 Kings of A&R     Website Design by PaleBird