MORE The Latest / POSTED BY: KINGSOFAR

Downtown Music the independent rights-management and music-services companies has left the copyright business.

Downtown sold a library of owned copyrights of hit songs recorded by artists including Adele, Aretha Franklin, and Lady Gaga for $400 million. The company is redirecting their efforts to artist services (distributing, marketing, licensing, royalty collection)

Independent artists make up the fastest growing sector of the music biz. Why? Because the digital streaming platforms like Spotify and Apple made signing with a major label nearly obsolete. While the major label system still rolls out the occasional radio hit, the artists who distribute music without any major music label has morphed into a billion-dollar market.

Artists want nearly full control of their music and rarely want to give up their rights. That’s problematic for the major labels that generally demand artists sell their rights in return for distribution and promotion.

“The motivation to sell your rights at the onset of your career is falling out of fashion,” said Downtown founder and Chief Executive Justin Kalifowitz. “While it is true the top of the pyramid, the top 1% of creators, are selling their copyrights, the general theme of the music business today is ‘how do I own and control my music?'”

Twitter
Facebook
Newsletter
Recent Posts
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Grace Luv Steps Into Her Power With “Misery Luvs Company”
  • Ava Della Pietra Brings a Cozy Twist to a Holiday Classic With “Last Christmas”
  • Natalie Shay Finds Luck on the Road With “Four Leaf Clover”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird