MORE The Latest / POSTED BY: KINGSOFAR

Disney’s new superhero movie, “The Marvels,” is a verified flop at the box office. It only made $47 million in its first weekend in the U.S., making it the worst start for any Marvel movie.

This tells us that people might be getting tired of superhero and comic book stories. Big entertainment companies need their movies to make a lot of money, so this is not good news for them.

The movie cost $220 million to make and another $100 million to tell people about it, but it didn’t make as much money as they thought.

Experts thought the movie would make around $80 million in the U.S. during its first weekend, but it only made $47 million. Internationally, it made $63 million, so in total, it made $110 million worldwide in its first weekend.

One reason it didn’t do well might be because the actors couldn’t talk about it much before it came out. There was a strike that stopped Hollywood from making movies and promoting them for almost four months, starting in July. The strike only got resolved last Thursday.

Marvel movies used to be really popular for Disney, but after the pandemic, they haven’t been doing as well. “Avengers: Endgame,” which came out in 2019, is still the most popular Marvel movie.

Some movies, like “Doctor Strange in the Multiverse of Madness” and “Black Panther: Wakanda Forever,” did okay in 2022. But there have also been movies that cost a lot to make but didn’t make much money back, like the new Ant-Man movie in the spring.

Twitter
Facebook
Newsletter
Recent Posts
  • Romy Mounzer Releases Debut EP Feel: A Bold Blend of Pop and Reggae Fusion
  • PHWOAR Drops Dark, 90s-Inspired Anthem “Waiting for the Sun” Ahead of Upcoming EP
  • Mins Shares “HWYGO,” A Lo-Fi Indie Pop Track About Moving On
  • May The Muse Shines with “Diamonds or Pearls”
  • David Bavas Delivers Heartfelt Reflections with “Old Rusty Sports Cars”
  • Leo and The Lioness Release New Track “Hand Heart”
  • Syd Taylor Drops “Honey Comb,” Blending Vintage Inspiration with Modern Flair
  • Carson Cruz Debuts with “Anything At All,” Blending Pop with Bedroom and Indie Influences
  • From New Zealand, August For Dawn Offers a Hazy, Textured Take on Classic Folk with “Methanol”
  • Plastic Harpoons Strike Gold: Reviving Rock ‘n’ Roll with Their Genre-Blending Sound
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • MC4D Drops New Folktronica Single “Travel On”
  • The Eiffels Release Energetic New Music Video for “Beautiful Life”
  • GRLwood Drops Defiant New Album TEARS Featuring the Bold Track “Fake”
  • Ella Vaillancourt Inspires with Uplifting New Track “Be The Dreamer”
  • Grace Winslow Captures Heartache and Reflection in Her New Track “Never Mind”
  • Jeremy & The Harlequins Deliver Haunting Western Rock Anthem with ‘How Long?’”
  • Matilde G Captures The Raw Pain in the New haunting piano ballad “Cold”
  • Lauren Presley’s “People Live” – A Haunting Anthem About Trauma and Its Impact on Future Relationships
  • Matt Zaddy Reflects on Burnout and Balance with New Single “Far Too Long”
  • Tuesday Madison Shines with Debut Track “Ms. Missunderstood” – A Raw Indie Rock Anthem for the Misunderstood
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2025 Kings of A&R     Website Design by PaleBird