MORE The Latest / POSTED BY: KINGSOFAR

Disney’s new superhero movie, “The Marvels,” is a verified flop at the box office. It only made $47 million in its first weekend in the U.S., making it the worst start for any Marvel movie.

This tells us that people might be getting tired of superhero and comic book stories. Big entertainment companies need their movies to make a lot of money, so this is not good news for them.

The movie cost $220 million to make and another $100 million to tell people about it, but it didn’t make as much money as they thought.

Experts thought the movie would make around $80 million in the U.S. during its first weekend, but it only made $47 million. Internationally, it made $63 million, so in total, it made $110 million worldwide in its first weekend.

One reason it didn’t do well might be because the actors couldn’t talk about it much before it came out. There was a strike that stopped Hollywood from making movies and promoting them for almost four months, starting in July. The strike only got resolved last Thursday.

Marvel movies used to be really popular for Disney, but after the pandemic, they haven’t been doing as well. “Avengers: Endgame,” which came out in 2019, is still the most popular Marvel movie.

Some movies, like “Doctor Strange in the Multiverse of Madness” and “Black Panther: Wakanda Forever,” did okay in 2022. But there have also been movies that cost a lot to make but didn’t make much money back, like the new Ant-Man movie in the spring.

Twitter
Facebook
Newsletter
Recent Posts
  • You Finished a Song… Now What?
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird