MORE The Latest / POSTED BY: KINGSOFAR

Although Emo Rap has been around for a long time, analysts say the genre had an explosive year. Emo Rap is a subgenre of hip hop that blends lyrical themes of emo music. Emo rap is also called SoundCloud Rap. Who are these SoundCloud rappers? Well they would be Lil Pump, Lil Peep, Lil Xan, Future, Juice WRLD, and Migos. 

In fact, it was Jarad “Juice WRLD” Higgins that was Spotify’s “breakout artist of the year”. But can a Spotify breakout artist compete in the mainstream? 

Popular charting rappers like J. Cole, Russ, and Eminem have become dissenters while criticizing the scene as mumble rap.  

“Emo rap grew 292 percent in 2018 over last year,” wrote Spotify’s trends expert Shanon Cook in an email. “According to our data, emo rap’s share of listening started increasing in the fall of 2017, but really took off in 2018.”

Erika Montes who works at Soundcloud, said that early artists created the genre using influences from Atlanta’s Trap scene, emo, punk and beats reminiscent of the 90s.

Critics of the genre claims it glorifies drug use. Drugs like opioids, heroin, and fentanyl have been linked to the scene. But then again, those same drugs were linked to the 90’s grunge scene that killed off many rockers. 

The emo rap scene appeals to a community who are searching for something real. Will it dominate mainstream? Probably not. SoundCloud rappers are to rebellious for the mainstream. How long will it last? Nobody knows. The emo rock scene that birthed artists like My Chemical Romance and Fallout Boy lasted for 8 years. Many of the emo bands were embraced by top 40 radio. The SoundCloud rappers are probably to edgy to enjoy the same worldwide appeal, but they are big enough to be trolled by Eminem.  

Twitter
Facebook
Newsletter
Recent Posts
  • Lauren Presley & Letdown. Unite on New Alt-Rock Single “Landmines”
  • PØRTERS Ignite Indie Rock Momentum with New Single “Timewaster”
  • Ross Newhouse & Grace Gardner Capture Raw Emotion in “Words I’d Use”
  • P-Funk North Builds Buzz with Genre-Bending Sound and New Music
  • Rising Artist Isabella Chavez Drops Raw Debut EP “the things u didn’t ask about”
  • Emma Martin Turns Darkness Into Hope on Debut Single “Nightmares To Dreams”
  • søftbleach Bring Attitude and Urgency on Explosive Indie Rocker “fight or flight”
  • Oleyada Turns Up the Cool on “Bad,” a Late-Night Pop Confession
  • Sasha & The Bear Float Through Grief on Dreamlike New Single “Air”
  • Brett Ryder Channels ’90s Alt-Rock Nostalgia on Hook-Driven Single “Undone”
  • Rudy Nuño & Aimee Interrupter Deliver Quiet Strength on “Brave”
  • Heddy Edwards Blends Indie & Alt-Pop on “Cinematic Vision”
  • Angelica Appelman Steps Into a New Era with Her Single “Half-Hearted”
  • Nyah Huck Releases Debut Single “Cuts and Bruises”
  • HAPPY LANDING Expands Their Sound With “Radiate” Ahead of Big Sun
  • You Finished a Song… Now What?
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird