MORE Indie Invaders / POSTED BY: KINGSOFAR

The Broken Music Scene

Trends come and go. I know that may seem obvious, but it appears not everyone is getting the ‘and go’ part. With most genre originators moving on to greener pastures (or dissolving completely), labels seem to be clutching to the past as they search for their replacements. Pop punk and hardcore ran their course and those artists have moved on. So why does it look like labels are snatching up pop punk bands like its 1999?

Band X sells alot of records. Band Y sounds almost identical to Band X, therefore, Band Y should sell. Interesting logic, and actually that would probably be a decent plan if it weren’t for Bands A through W, who Band X ripped off. How many copies of the same record can people really be expected to own? Unfortunately for the labels, they’re left with little choice. Anyone who takes a gander at the endless supply of mediocre music on MySpace can tell you- that’s all there is. Band after band emulating their heroes rather than just appreciating them. You really can’t blame anyone but the bands. They own the records they’re copying, so of course they know what they are doing isn’t original. What baffles me is that these bands know they aren’t original. They know they are treading well-worn territory. They know that the artists they look up to so much have even changed their sound to try and escape the clone army and the supersaturation of the genre they helped create. These kids must know that they bring practically nothing to the table, and yet they still have the nerve to send out demos.

Of course, I understand wanting to chase the rockstar dream, but since when is it more gratifying to ‘make it’ as a completely unoriginal joke of a band instead of an innovator that carves out their own place in the history books? Perhaps we’ve made it look too easy. Perhaps the music industry being shrouded in secrecy was a good thing. Perhaps people should stop feeling bad for telling someone they suck and should get out of this business. Simon Cowell is onto something. Pull no punches and leave no delusions. Either they have it or they don’t and 99% of them don’t.

AJ, KOAR

New Found Pop Punk 2006 – Outdated.
Believe it or not we still get a handful of records created by 18 year olds who are still listening to New Found Glory and Blink 182. Guess what, New Found Glory went emo and Blink 182 broke up. THEY aren’t even into the music these kids are copying. Green Day is the premier punk band, the songs are far superior to those in that genre. It’s amazing that not one out of thousands of punk bands can pull it off like Green Day; It’s like Abraham going back to GOD claiming he couldn’t find one righteous person, hence destroy the City. Unless you can say with a straight face that you’re better than Green Day, don’t bother sending out kits.

Hardcore 2006 – Rebelling Against Nothing.
Even the scenester kids claim hardcore is dead. Don’t invest into hardcore, a dying genre that never even deserved attention. Have you attended a hardcore show recently? It looks more like ‘fight club’ than an ‘event’. Hardcore has become nothing more than a soundtrack for an ass beating. This is why the Ozzfest has been crumbling with poor ticket sales. These bands are dissolving left and right, or completely abandoning their ‘hardcore’ following, ala Avenged Sevenfold. We don’t need more bands in this genre churning out the same cookie monster vocals and lame guitar riffs. Do yourself a favor and sit on the side of the stage at Ozzfest and watch these ‘calculated cloned’ bands perform. These guys aren’t ‘rock stars’; they are dysfunctional kids getting high on crack. For goodness sakes, rebellion is all about originality. Today’s hardcore bands are sheep, certainly not goats with horns.

Folk, Indie, Starbucks and the Good Ol’ Acoustic Guitar.
You can thank Jewel and Sarah McLaughlin for inspiring every little girl to pick up a guitar and strum a couple of chords that put you to sleep. Don’t get me wrong, Jewel, Sarah, and Tori had their moments but their disciples failed. Myspace and the net are filled with acoustic coffee house females that still think the Lilith days are hip. Guess what, it’s not. People are beyond personal embellished dishonest diary notes accompanied with choruses that would people to sleep after drinking 2 shots of expresso. Again, think of something of original and help the industry. Don’t believe your own hype.

Put Down The Eyeliner.
What kind of a rock star whores himself for gap campaign and sticks up his thumb? This isn’t dangerous, this is Disney Land. Where do we start here? Rock is supposed to be dangerous, dark, and original. Nothing dangerous about today’s rock bands. In fact, the rap artists are bigger rock stars even though their gimmick is drying up. After listening to the unsigned and the more well known rock bands I realized that the inspiration level is dried up as the California desert.

The Suit, The Tie, The Stripes and the Monkey
Remember when America was helplessly attacked by the artificial demand from the Hives, the Vines, the Arctic Monkeys and the White Stripes? It’s over and you knew it was coming. When you hear something great, you know it, and these bands weren’t even ‘good’. The garage rock revival has come to an end.

Got Inspiration? Try

  • AFI – Decemberunderground
  • James Blunt – Back to Bedlam
  • Blue October- Foiled
  • Mute Math
  • Cold Play – X & y, Parachutes
  • Baumer- Come On, Feel It
  • the new GNR single
    Â

To say music is struggling to reinvent itself is an understatement…

Twitter
Facebook
Newsletter
Recent Posts
  • Maudlin Strangers Releases Cover of Djo’s “End of Beginning”
  • Dive into Noak Hellsing’s Dreamy Hit “Good News”
  • Brooks The Boy Drops Breakup Anthem “All My Friends” Perfect for Pop-Rock Fans
  • Lauren Presley Calls Out Societal Double Standards with Empowering New Track “AMERICAS SWEETHEARTS”
  • Grace Winslow Releases Dreamy New Track “Away From Here”
  • A Days Wait Teases Upcoming Album with Catchy New Track “Lay It Down”
  • Perfect for Rainy Days: Mindy Gledhill’s Drops New Single “The Edge of the World”
  • Unpredictable Beauty: Dive into Mina’s Experimental Indie Track “Disobey”
  • Francie Eliott’s Debut Track “Delusional” Captivates with 80’s Vibe and Indie Pop Vocals
  • Emerging Artist Kyle Jaymes Releases Haunting New Track
  • Discover Dissolved Girl and Their Track “I’m a Beast”
  • Relax with Molly Annelle’s “Trophy Wife”: A Perfect Blend of R&B, Electro, and Indie Pop
  • Discover Nick Howe’s “Crash”: A Surprising Anthemic Journey
  • Yodashe’s “CHRYSALID”: A Sonic Journey of Strength and Authenticity
  • Heather Kathryn’s “GO TO HELL” – Reviving the Unfiltered Energy of Pop-Punk and Dark Pop
  • Estella Dawn’s “514 Denim”: The Danceable, Fun, and Sexy Track You Need to Hear
  • l.ucas Drops New Groove-Injected Pop Track “ATTENTION”
  • New Single “Dreams” by Houston In The Blind: A Dreamy, Atmospheric Journey
  • Rediscover Radio Rock with StopGap Solution’s Latest Track “One More Time”
  • Watch Out for Femegades’ Gut-Punching New Single “Broken Bones” from the EP Sex Robots
  • Sophia St. Helen Captivates with New Track “To Where and Where From”
  • Up-and-Coming Pop Artist Drew Schueler Drops New Single “This Is Where” Ahead of EP Release
  • Blow The Blue Away” by Diya Shanmugaraj: Dreamy and Soulful Honesty in Every Lyric
  • Ella Eliza’s “Life Without Me”: A Melancholic Indie Pop Anthem with a Punchy Chorus
  • Axel Flóvent Drops Dreamy New Song “Don’t Wait For Summer”
  • Angela Chambers Drops “Say It To My Face”: A Bold Blend of R&B, Alt-Pop, and Electro-Pop
  • Houston in the Blind Unveil Dark, Atmospheric Track “Thoughts of You”
  • Mega Star Rita Ora Drops New Track “Ask And You Shall Receive”
  • Discover Presence’s Latest Track “MY LOSS” – A Summer Anthem!
  • Liv Slingerland’s “C’mon C’mon”: A Perfectly Poppy Two-Minute Gem
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird