MORE Indie Invaders / POSTED BY: KINGSOFAR

Anna Rose, the critically acclaimed singer, songwriter, multi-instrumentalist, and producer based in Nashville, has recently released a stunning indie-rock ballad titled “Alameda.” The song, which is about the breakup of her marriage, features Rose’s emotive vocals and combines the styles of Fleetwood Mac and Sheryl Crow. The autobiographical track is about the fantasy of a tiny island off of San Francisco that Rose wanted to run away to during a difficult time in her life. “Alameda” serves as a taste of what listeners can expect from her forthcoming project, “Last Girl of the Rodeo,” which will be released single by single over the next year.

Composed of seven tracks totaling just under 23 minutes, “Last Girl of the Rodeo” is a highly personal concept record that showcases Rose’s songwriting and vocal prowess. The project explores a diverse sonic spectrum and features nuanced conceptual narratives. For this record, Rose worked with GRAMMY-nominated producer and engineer Paul Moak and refused to be limited by labels, managers, or conversations about what the single should be. The result is a refreshing and honest record that reflects Rose’s quest for integrity.

In an industry where appearance often determines success, Rose has struggled to be her authentic self. However, with “Last Girl of the Rodeo,” she gives herself permission to create the music she truly wants to make. The record is a departure from her previous commercial work and showcases her cross-genre influences, which range from classic rock to alternative indie, pop, and country. Throughout her 20-year career, Rose has released three full-length studio albums and has toured the United States headlining intimate shows and opening for illustrious global acts. With “Last Girl of the Rodeo,” Rose offers her most incisive and personal release yet.

Twitter
Facebook
Newsletter
Recent Posts
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Grace Luv Steps Into Her Power With “Misery Luvs Company”
  • Ava Della Pietra Brings a Cozy Twist to a Holiday Classic With “Last Christmas”
  • Natalie Shay Finds Luck on the Road With “Four Leaf Clover”
  • Echo The Screen Makes a Stunning Debut With “Frankenstein”
  • Lou Emery Unleashes Emotional Turbulence on “House of Cards”
  • Ava Franks Captures the Rush of New Love on “Every Day”
  • GOODTWIN Returns With Their Most Infectious Release Yet On “Fool”
  • Goldfrapp Returns With A Stunning Rework Of “Beautiful”
  • Estella Dawn Unloads a Gut-Punch of Dark Pop on “You Didn’t Text Me”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird