Looking to find something fresh? Try Sophia Bavishi, a 20-year-old singer and songwriter. She released Parking Garage, a mid tempo electro pop track. Who does she sound like? Give it a few listens and come up with your own comparisons. When she’s not grinding away on her degree in popular music at Arizona State University, you might find her making jamming music, wearing her Birkenstocks, and going on long road trips. Give it a stream on KOAR’s Indie Invaders playlist.
Kanye West teases the official logo for his upcoming Yeezy x Gap fashion line. His logo is very similar to GAP.
The collaboration could include clothing, footwear, headwear, accessories and bags. Yeezy agreed to a 10-year deal with Gap, with the option to renew after five years.
West’s Yeezy sneakers sell like hot cakes. The Yeezy 450 in Cloud White sold out in minutes last month. His pair of Air Yeezy sneakers West is currently available for for $1 million.
Pandemic stricken SXSW has sold half its stake to Penske Media – The publisher of Rolling Stone, Billboard, Vibe, and Variety.
“It’s been an incredibly tough period for small businesses, SXSW included,” Roland Swenson, SXSW CEO & co-founder said in a statement. “When [Penske founder] Jay Penske came to us with interest in becoming a partner, it was a true lifeline for us. While SXSW’s core business will retain its focus on the March event in Austin, this strategic investment also brings the exploration of new capabilities in providing quality programming to our diverse community of highly engaged creative professionals.”
The popular conference that drew artists and media creatives around the world has been forced online. It’s been 2 years since the last in person gathering.
Songwriters getting stiffed has been breaking the internet as of late. This all came to light during the covid pandemic that permanently changed the music landscape.
ABBA’s Bjorn Ulvaeus the man behind “Dancing Queen” urges changing the structure to ensure fairness for writers behind the music. Another community of songwriters called The PACT have also called out artists who take songwriting credit without contributing to the song.
Also, performing artists would generate income from concerts and merchandise, but songwriters just generate from the song itself.
Nevertheless, the streaming payout is a bit funky. The big streaming platforms split the subscription money and spread it out based on play counts to rights-holders or management organizations, who then distribute it according to their agreements.
The biggest super star artists are disproportionately making the lions share at the expense of middle class artist. Winner takes all!
Apple Music revealed that it pays penny per stream, roughly double what Spotify pays music-rights holders.
The Union of Musicians said that all music streamers should pay one penny per stream at a minimum.
Apple has 60 million Music subscribers while Spotify has 155 million. Amazon has 55 million subscribers.
Artists aren’t paid directly by streaming services, rather they pay royalties to rights holders (labels, publishers, distributors). The right holders then pay artists.
Apple roughly 52 cents of every dollar, to record labels, whereas Spotify says it pays two-thirds of every dollar of revenue to rights holders, with 75% to 80% of that going to labels—translating to 50 to 53 cents on the dollar.
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