MORE Indie Invaders / POSTED BY: KINGSOFAR

ihatekateword.jpg

I Hate Kate – So. Cal – The lead singer Justin Mauriello is the former front man for rock band Zebrahead that released 3 albums on Columbia/Sony which sold a several hundred thousand units combined worldwide, went gold in Japan. Booked by the MOB Agency [No Doubt]. Recently picking up spins at radio stations like X96 in Salt Lake City where they have been #1 continuously beating out similar major label bands via requests. “Bed of Black Rosesâ€? has recently been serviced to 270+ stations and is on the FMQB sampler. For more information contact Lawyer Ben Mclane at BCMcLane@aol.com. Check out the track Bed of Black Roses which is stronger than Arctic Monkeys lead off single. Speaking of Arctic Monkeys………….I have heard the chatter on Arctic Monkeys. Hyped bands don’t often live up to the chatter (i.e. Block Party). After watching the video on Fuse at 2:00am in the morning, I can honestly say I don’t get the band. How these faceless bands gain this type of momentum is a mystery. It goes to show you how powerful the media has become. Helmet has signed to Warcon Enterprises

The Wall Street Journal :

One after another, British acts awash in homeland success like Franz Ferdinand, Kaiser Chiefs and the Darkness have hit American shores riding a global wave of hype, thanks largely to the Internet. British rock band Arctic Monkeys has so far failed to generate blockbuster sales in the U.S. British acts are hyped so routinely, critics take the hyperbole as a given — and then try to take the superlatives even further. Publications from Australia’s tiny Kalgoorlie Miner newspaper to America’s giant People (“Britain’s Next Great Things live up to the hype,” the magazine declared) have noted the overstatement but declare this newest arrival different

Twitter
Facebook
Newsletter
Recent Posts
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Grace Luv Steps Into Her Power With “Misery Luvs Company”
  • Ava Della Pietra Brings a Cozy Twist to a Holiday Classic With “Last Christmas”
  • Natalie Shay Finds Luck on the Road With “Four Leaf Clover”
  • Echo The Screen Makes a Stunning Debut With “Frankenstein”
  • Lou Emery Unleashes Emotional Turbulence on “House of Cards”
  • Ava Franks Captures the Rush of New Love on “Every Day”
  • GOODTWIN Returns With Their Most Infectious Release Yet On “Fool”
  • Goldfrapp Returns With A Stunning Rework Of “Beautiful”
  • Estella Dawn Unloads a Gut-Punch of Dark Pop on “You Didn’t Text Me”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird