MORE Indie Invaders / POSTED BY: KINGSOFAR

Thomas C. Rubin talks about the tremendous change in the media and entertainment industry at the 2008 Leadership in Media Forum.

The birth of the multimedia Internet, unlike previous technological changes, has been more like a giant comet strike upon the media ecosystem.

Are we creating a healthy and sustainable new media ecosystem for anyone, old or new?

“The facts suggest that the new ecosystem as presently configured is, in fact, not able to adequately sustain grassroots creators.

“Both the corporations and the kids, it seems, want the use of our music without having to pay for it. If musicians are to have a chance of enjoying a fruitful career, then we need to establish the principle of artists’ rights throughout the Internet – and we need to do it now.”

“The New York Times noted the decision had “incited talk of a revolution in the music industry.” Hardly. It’s not even the future of Radiohead. Just last week, without releasing sales figures, the band called the experiment “a one-off … moment in time” and announced they’d never do it again”.

“The problem is not confined to the music scene. Blogging site Valleywag recently cut the pay of bloggers by a third. And as for the creators of amateur video content, seemingly the web’s favorite medium, they are learning that while being an online video star is certainly fun, the reality is it just doesn’t pay”.

Can Anyone Survive In The New Media Environment‘ is a must read. We want to hear feedback and solutions…

Twitter
Facebook
Newsletter
Recent Posts
  • You Finished a Song… Now What?
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird