MORE Indie Invaders / POSTED BY: KINGSOFAR

Many reading KOAR are fans of bands that they think should make it big more often than not, these bands don’t achieve the level of success that we expected. Whether they just don’t get picked up by a major and end up disbanding after years of not being offered a record deal, or, among other situations, signed to an indie label and never reached the audience you thought they deserved. In this version of Soundcheck, I’m going to talk about a few bands that I felt had the talent and the songs to make it big, but for some reason didn’t. Check out the songs in Soundcheck Myspace player at http://www.myspace.com/soundcheckkoar

First off, Orson from Los Angeles, CA. After Maroon 5 had big hits in 2003 and 2004, I thought that this funky pop/rock band had a sure hit in the states with their single “No Tomorrow”. After a few years in Los Angeles and a minor amount of buzz, these guys went over to the UK and quickly got a deal from Mercury. “No Tomorrow” reached #1 on the UK singles chart in 2006 and the debut album “Bright Idea” debuted at #1 on the UK album chart in the spring of that year. In my opinion, American pop stations missed out on this one.

Boston-based pop/rock band Averi released two full-length albums before parting ways with lead singer Chad Perrone in 2006. “The Bones Underneath” is a track that defines what this band is about with a good mix of saxophone and radio friendly melodies. They opened for bands like Matchbox Twenty, Eve 6, and Gavin Degraw, but were never offered a record deal.

Florida rockers Waking Season seemed poised to take rock radio by storm a few years ago with tracks like “I’m Sorry” and “Cold Day in Hell”. The success never came and the band has seemingly disappeared in recent years.

Adelayda signed w/ indie label Superkala Records in 2004 and saw minor radio success with their single “Not Tonight”. They had the vocals and the power ballad, but they disbanded a few years ago and haven’t been heard from since.

MrNorth is a very talented rock band from New York, via Ireland, who signed to indie label Uninhibited Records for 2004’s “Lifesize”. They’ve opened for The Who, Van Halen, & Fuel to name a few big acts. Their first single “Speak No Evil” hit at a perfect time for it’s politically charged lyrics to make an impact during the 2004 election year. A catchy rock single that should have done much better than it did. They’ve since released a follow-up album on indie label Rock Ridge Music.

This also isn’t all about bands that major labels didn’t pick up, this can also be about labels not releasing singles you thought could be big hits, as I did when “Vacuum Bag” by Stroke 9 was not released as a single and the band was dropped later that year by their label, or when Butch Walker’s “Mixtape” failed to resonate at radio.
Now, that you’ve heard my picks, I’m curious what bands or artists you felt suffered from the same fate as these bands. Who do you think had the potential to be huge and just didn’t make it? What band didn’t have the right single released? & most importantly why do you think these bands didn’t explode onto the scene?

Soundcheck is written by Dallas who currently attends San Francisco State University and works on the Live 105 (KITS) Action Team.

Twitter
Facebook
Newsletter
Recent Posts
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Clover County Drops Catchy New Single “Ultraviolet” from Upcoming EP
  • ZØYA: Rising Pop Artist Blending Faith, Powerful Vocals, and Social Advocacy for Global Impact
  • Estella Dawn Drops Groovy New Track “Julian” as 7th Release of 2024
  • Will Knox: A Master of Storytelling with New Indie Track “Body Talk”
  • MAUMAUMAU Explores Modern Romance with “God Bless The Irony” from Debut Album ‘MAUCH’
  • Lauren Presley Drops Fiery Breakup Anthem “Hint” for Exes Who Won’t Move On
  • Watch out for Azra’s new uptempo rocker, “If It Wasn’t for You
  • Kylie Rothfield Releases “Never Loved Somebody” as First Single from Upcoming Album
  • Peyton Shay Reflects on Heartbreak in “Dashboard Lights” Video: A Fresh Take from Her Upcoming Daydream Police EP
  • Wodan Boys Drop Explosive New Track “Karaoke Rockstar” Ahead of Upcoming EP
  • Tiny Gun’s ‘No Worries If Not’: A Grungy Throwback to NYC’s Iconic Club Scene
  • Feel-Good Folk: Reuben Medlin’s ‘Sunshine Of My Life’ Celebrates Love and Memory”
  • Joshua Golden’s “St. Louis, Missouri” – A Nostalgic Folk Gem
  • “Honest” by Tessa Dalton: A Raw and Relatable Take on Modern Relationships
  • Mal Sounds Embraces Stillness with Lo-Fi EP ‘Still In New York
  • Fiji Blue Delivers Heartfelt Melancholy with New Single ‘Angel’
  • Oslo’s SIKADE Delivers Dreamy Indie Folk Vibes with New Track ‘Bloody Moon
  • Flora Cash Delivers Heartfelt Melancholy with ‘My Ex Would’ve Left By Now’
  • Natalie Clark’s ‘Iced Tea’: A Breezy, Quirky Anthem for Summer Days
  • Reuben Medlin Drops ‘Sunshine Of My Life,’ Blending Dreamy Pop Rock with Beatle-esque Melodies”
  • Cole LC Drops Good Vibes with New Banger ‘Marching on Together (feat. Deewaan)
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird