MORE Indie Invaders / POSTED BY: KINGSOFAR

madonna5

“Concert-industry insiders routinely engage in coordinated efforts to sell tickets to the public at inflated prices, while disguising their origin.”

“Concert promoter AEG Live is fighting with a ticket-selling agent that it alleges was trying to scalp huge numbers of tickets to Michael Jackson’s run of 50 concerts in London.”

“Similar arrangements came under scrutiny last week, after senior executives of Ticketmaster Entertainment Inc. acknowledged to The Wall Street Journal they had helped artists and their managers sell their own concert tickets at higher-than-normal prices in an online marketplace.” (Wall Street Journal)

Nine Inch Nails Trent Reznor recently blogged about scalping and high ticket prices.

He says: “there are some people who would be willing to pay $1,000 and up to be in the best seats for various shows, but MOST acts in the rock / pop world don’t want to come off as greedy pricks asking that much, even though the market says its value is that high. The acts know this, the venue knows this, the promoters know this, the ticketing company knows this and the scalpers really know this. So…

“Nothing’s going to change until the ticketing entity gets serious about stopping the problem – which of course they don’t see as a problem. The ultimate way to hurt scalpers is to not support them. Leave them holding the merchandise. If this subject interests you, check out the following links. Don’t buy from scalpers, and be suspect of artists singing the praises of the Live Nation / TicketMaster merger. What’s in it for them?”

Twitter
Facebook
Newsletter
Recent Posts
  • Lauren Presley & Letdown. Unite on New Alt-Rock Single “Landmines”
  • PØRTERS Ignite Indie Rock Momentum with New Single “Timewaster”
  • Ross Newhouse & Grace Gardner Capture Raw Emotion in “Words I’d Use”
  • P-Funk North Builds Buzz with Genre-Bending Sound and New Music
  • Rising Artist Isabella Chavez Drops Raw Debut EP “the things u didn’t ask about”
  • Emma Martin Turns Darkness Into Hope on Debut Single “Nightmares To Dreams”
  • søftbleach Bring Attitude and Urgency on Explosive Indie Rocker “fight or flight”
  • Oleyada Turns Up the Cool on “Bad,” a Late-Night Pop Confession
  • Sasha & The Bear Float Through Grief on Dreamlike New Single “Air”
  • Brett Ryder Channels ’90s Alt-Rock Nostalgia on Hook-Driven Single “Undone”
  • Rudy Nuño & Aimee Interrupter Deliver Quiet Strength on “Brave”
  • Heddy Edwards Blends Indie & Alt-Pop on “Cinematic Vision”
  • Angelica Appelman Steps Into a New Era with Her Single “Half-Hearted”
  • Nyah Huck Releases Debut Single “Cuts and Bruises”
  • HAPPY LANDING Expands Their Sound With “Radiate” Ahead of Big Sun
  • You Finished a Song… Now What?
  • Filip Clements Releases New Single “Right Place Wrong Time
  • LEROCQUE Delivers Emotional New Single “Not Invisible”
  • Tori Lange Shares Emotional New Single “Used To Disaster”
  • Rachel Cousins Steps Into a More Honest Sound on What Hasn’t Killed Me
  • Isaac Neilson Releases New Single “No Affection”
  • BERENICE Releases New Single “Wifey Material” as Momentum Continues to Build
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird