MORE Indie Invaders / POSTED BY: KINGSOFAR

madonna5

“Concert-industry insiders routinely engage in coordinated efforts to sell tickets to the public at inflated prices, while disguising their origin.”

“Concert promoter AEG Live is fighting with a ticket-selling agent that it alleges was trying to scalp huge numbers of tickets to Michael Jackson’s run of 50 concerts in London.”

“Similar arrangements came under scrutiny last week, after senior executives of Ticketmaster Entertainment Inc. acknowledged to The Wall Street Journal they had helped artists and their managers sell their own concert tickets at higher-than-normal prices in an online marketplace.” (Wall Street Journal)

Nine Inch Nails Trent Reznor recently blogged about scalping and high ticket prices.

He says: “there are some people who would be willing to pay $1,000 and up to be in the best seats for various shows, but MOST acts in the rock / pop world don’t want to come off as greedy pricks asking that much, even though the market says its value is that high. The acts know this, the venue knows this, the promoters know this, the ticketing company knows this and the scalpers really know this. So…

“Nothing’s going to change until the ticketing entity gets serious about stopping the problem – which of course they don’t see as a problem. The ultimate way to hurt scalpers is to not support them. Leave them holding the merchandise. If this subject interests you, check out the following links. Don’t buy from scalpers, and be suspect of artists singing the praises of the Live Nation / TicketMaster merger. What’s in it for them?”

Twitter
Facebook
Newsletter
Recent Posts
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Grace Luv Steps Into Her Power With “Misery Luvs Company”
  • Ava Della Pietra Brings a Cozy Twist to a Holiday Classic With “Last Christmas”
  • Natalie Shay Finds Luck on the Road With “Four Leaf Clover”
  • Echo The Screen Makes a Stunning Debut With “Frankenstein”
  • Lou Emery Unleashes Emotional Turbulence on “House of Cards”
  • Ava Franks Captures the Rush of New Love on “Every Day”
  • GOODTWIN Returns With Their Most Infectious Release Yet On “Fool”
  • Goldfrapp Returns With A Stunning Rework Of “Beautiful”
  • Estella Dawn Unloads a Gut-Punch of Dark Pop on “You Didn’t Text Me”
  • Bella D. Drops Fierce Debut “G.R.I.T.” – A Grungy Electro-Pop Anthem
  • Bailey Coats Returns with Her Comeback Anthem “BLAME”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird