J Lo
Como Ama Una Mujer
TW 49,179


This is a stiff. J Lo sold 49,452 copies. Lopez’s first Spanish language album was a calculated move to win back the audience she lost as her pop albums became increasingly more and more about herself and her celebrity. The failure of “Como” is alarming for many reasons, not the least of which is that Lopez’s already questionable recording career is now in severe jeopardy. Her last ENGLISH album was a sales disaster too. A lot of room at the top for NEW music folks. Consumers are no longer purchasing these pop records sung by socialites.

Amy Winehouse
Back to Black
TW 46,300
Total 144,922

Carrie Underwood
Some Hearts
TW 39,245
Total 5,155,202

All The Right Reasons
TW 32,536
Total 5,156,389

Gym Class Heroes
As Cruel As School Children
TW 15,810
Total 261,486

      MORE Indie Invaders / POSTED BY: KINGSOFAR


“He was cremated and I couldn’t resist grinding him up with a little bit of blow.
“My dad wouldn’t have cared – he didn’t give a s***. It went down pretty well. And I’m still alive.”

Of today’s musicians, he said: “Everyone’s a load of c***. They’re trying to be somebody else and they ain’t being themselves. Libertines, Arctic Monkeys, Bloc Party? Load of c***, load of c***. Posers, rubbish.” – Keith Richards of The Rolling Stones

Now thats rock n roll. In fact, Ozzy was infamous for snorting ants – don’t you think snorting your dads’s ashes is bit more extreme? We do! We are looking for an artist that can make a statement like this, that will go down in the “History of Rock Music”. If you have this attitude with songs to back it up, then KOAR wants to talk with you. Email KOAR with a link to your music.

The Next Idol?


The impact of the Internet and radio hype about keeping Sanjaya Malakar alive on “American Idol” is overblown, according to the show’s executive producer, Ken Warwick, who doesn’t expect Malakar to be around when the show ends next month.

“There is very little hype anybody can do to affect the vast numbers of votes we get,” Warwick said yesterday.

Howard Stern and the Web site have pushed keeping Malakar because they think he’s not good enough and want to make a mockery of the competition. Warwick said that if all of Stern’s listeners voted – or any other radio campaign started – it wouldn’t make up the difference that Malakar has over the people below him, or above him, in the weekly call rankings.

The only individual who believes HIS own HYPE is Howard Stern who actually believes his LISTENERSHIP could alter IDOL’s Influence.


Album sales are down 16.6% to 117.1 million units, according to Nielsen SoundScan, for the period running from January 1 through April 2.
The top selling digitally-downloaded album so far this year is Daughtry’s self titled album, which has scanned more than 98,000 units.


Sanctuary Group who is home to artists such as Morrissey, Widespread Panic, Motorhead, Jonny Greenwood, Idlewild and Dolores O’Riordan will shut down its U.S. label this summer, according to a source within the company.

      MORE Indie Invaders / POSTED BY: KINGSOFAR

nickelback.jpgNickelback (formed in Alberta, Canada, 1995) didn’t actually have chart topping success until 2001 with Silver Side Up and the track “How You Remind Me.” They then struck gold again with the same song, this time called “Someday.” They have sold about 14 million albums to date, just in the US. They currently have about 12 songs in heavy to medium rotation on US Rock, Alternative and Active Rock stations, and a number of crossover hits. Compare that to one of rock’s more overplayed bands, Nirvana, with only 10 songs in medium to light rotation and zero crossover hits.

The band has won nine Juno Awards, an American Music Award, an MTV Video Music Award for Best Video from a Film (Hero), and a World Music Award for World’s Best-Selling Rock Artist. The band was also nominated for seven Grammy Awards, four American Music Awards and ten Juno Awards. On December 4, 2006, Nickelback won three Billboard Music Awards out of five nominations. [wiki]

Formula? You bet! They even discussed it on NPR’s All Things Considered. Just because they have an obvious formula does that mean they aren’t any good? Well, according to their sales numbers, no one really cares. If you like one song, you like them all, but unfortunately if you don’t like one song, you probably won’t like any of them. Many people have been speaking out against Nickelback recently, implying that they don’t deserve their success because they lack originality in their music. Others believe that the sales numbers indicate just how great the music is. In the end, sales numbers indicate little aside from how well it is selling. It doesn’t speak to the quality of the music outside of the fact that people are clearly connecting with it on some level.

nickelback2.jpgThis band is polarizing because they are one of the only rock bands that’s been successful when it seems no one else can do it. Why is this happening? Is it that they’re the greatest rock band of all time? Or do they just have a great business plan, a formula that works, and good timing? I don’t doubt a valid argument could be made either way, since we have been seeing those arguments on KOAR for a while now. The truth of the matter is, for the right band, the ‘old industry’ is just as effective now as it was before, if not more so since there is less real competition in the mainstream. The revolving door of hype and fad bands mean nothing when compared to a band that consistently delivers with no surprises. Although many are singing the praises of satellite radio, iPods are selling like hotcakes and hardcore music fans are scouring the internet for free music, don’t underestimate the stronghold the mainstream has on the South and the Midwest. The South and the Midwest ARE the mainstream. In these parts of the country, commercial radio is still king and established artists like Nickelback aren’t even screened before being thrown into heavy rotation, while new artists have to jump through all kinds of hoops before being considered. Labels aren’t the only ones interested in hit songs. Radio needs them too and they are less willing to gamble on something without a proven impact.

However, in these parts of the country, there are pockets of listeners who rebel against the mainstream . They’re online, they listen to satellite, they attend every show that comes through their town on an endless search for great new music. They are desperate to connect to something the way their neighbors have connected to Nickelback, but at this point, they’re on their own. Even with all of the options and access they have through technology, finding the one great band in the endless ocean of shit is a full time job many of us are being paid to perform. There is great potential for an industry to exist outside of the ‘old system,’ but as of right now, it is in no way regulated and there are no clear leaders yet. MySpace seems to be the website of choice for artist self-promotion, but it’s a site that’s so huge and so poorly designed, artists are reduced to spamming to justify having a profile there. How often does it happen that you are spammed on MySpace by a band and they end up being the greatest thing you’ve ever heard? It never happens. Maybe because artists are spending more time spamming and updating profiles than actually working on their music and building their careers.

For those NOT interested in the mainstream and the major label system, where mass appeal hits are required with great consistency and the ‘game’ must be played, there isn’t really a working system for them, but it’s getting there. Bands CAN pick up a certain amount of traction and make waves almost solely through the internet, but there are no examples of that resulting in a legendary, great or even really good artist. We know it’s coming. We know it will eventually happen, but it hasn’t happened yet. There are literally thousands of music sites and internet-based third party companies of varying quality, taste and ability. As the better ones rise to the top, better opportunities will be available to those looking for other options. So, at some point a great band will come along and opt for this system and they will be successful at it, by anyone’s measurement. Until then, it is still a struggle.

nickelback3.jpgGreat music is out there. Great artists still exist. Whether they choose to be a part of the major label system or blaze their own trail, their true value can never be measured in album sales or awards. A band’s quality can only be determined by the connection they establish with their fans, and no one can say one connection means more or is worth more than another. ‘Success‘ means different things to different people and although labels may define it as ‘millions of copies sold,’ I’ve met very few artists who share that definition. There is no right way or wrong way to be in this business, there is only truth and lies. If you’re an artist or if you work with artists, you have to love the music you’re working with and believe in what you’re working towards. If you simply see it as a cash cow or a means to an end, you’re missing the point. I think Chad Kroeger has no problem sleeping at night. I believe he looks himself in the mirror and likes who he sees. No matter how I feel or don’t feel about Nickelback’s music, I think Chad Kroeger is a good dude and has a lot to be proud of. It’s not right to belittle his success or his fans just because the new system we would like to see isn’t in place yet or because things didn’t work out the same way for another artist.


      MORE Indie Invaders / POSTED BY: KINGSOFAR


Advocates argue DRM is necessary for copyright holders to prevent unauthorized duplication of their work to ensure continued revenue streams. Apple will sell the record company’s songs online without copy protection software. You can now download songs without the copying restrictions once imposed by labels.

We are going to give iTunes customers a choice—the current versions of our songs for the same 99 cent price, or new DRM-free versions of the same songs with even higher audio quality and the security of interoperability for just 30 cents more,” said Steve Jobs, CEO of Apple.

Executives at several rival record companies said they had expected EMI to drop DRM but questioned whether EMI had done sufficient market research to justify the move.

“It’s problematic,” said one executive. “EMI haven’t tested it enough so they don’t know what the market reaction is going to be to open MP3s.”Check out Silicon Valley Lawyer Chris Castle’s article ‘Why not Sell MP3’s’

Check out the webcast of the presentation between Steve Jobs and Eric Nicoli.

      MORE Indie Invaders / POSTED BY: KINGSOFAR


The Ever Changing Industry Landscape……

Hot Topic sales are down and they contribute the decline as a result of changing musical tastes and trends. Hot Topic believes the iPod has reduced the number of ‘one genre’ fans.

In other news….

The P2P file sharing site LIMEWIRE is making HEADLINES as of late….

LimeWire has tapped former EMI exec Ted Cohen to pitch a new strategy to labels, one that includes 99-cent downloads of P2P-based content. “At the end of six months, you will know if they are willing to pay or not,” Cohen explained. “The worst result is that after six months, we find out that it was all about free.”

iTunes offers a New Way To Buy Albums……
The Complete My Album program allows customers to buy full albums at a reduced price if they have already purchased a single from the record.

BMI Projects Ringtone Sales Decrease In 2007, click here to check out KOARs post on Gambling on the Ringtone Business.

Victory Records will now be booking their own bands. Bands who sign to Victory will no longer need to establish an outside booking agent. More profits for Victory too…

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