MORE Indie Invaders / POSTED BY: KINGSOFAR
  • Clear Channel bids due in coming days…
    Bids are due in the coming days for Clear Channel, the largest U.S. radio company.
    Clear Channel, which has about 1,150 stations, said last month in response to reports that it was considering offers to be taken private that it had hired investment bank Goldman Sachs & Co. Clear Channel has been challenged to develop new formats and technology in the face of growing competition from satellite radio, the Internet and personal digital music players.
  • Alternative rock band Ashes of Soma (Canada) will be performing at the Mercury Lounge November 13th. Labels are expected to attend. For more information contact lawyer Dan Friedman.
  • Rock act Of Sound Mind (Kentucky) will be performing at Arlenes Grocery (NYC)November 30th. Check out the track Born to Be which was co-written with producer Brian Howes (Hinder). For more information email
    Scott Frazier or legal Dave Chidekel.
  • Unsigned alternative rock band The October (in the vein of Snow Patrol/ColdPlay) sells out Big Apple in Murray Kentucky at Murray State University.
  • Are you a new artist without signing up for BMI? Sign up now and get paid for your art. Click on the link/banner below.

Advertise On The IndieClick Network - www.indieclick.com

Â

      MORE Indie Invaders / POSTED BY: KINGSOFAR
  • KOAR hears that at a hearing on tuesday, the judge ruled in Hawthorne Height’s favor stating that the band could terminate for cause, as such, the lawsuit is not over per victory’s previous press release
  • Sony/BMG Nashville exec Mark Wright will take over as president of Universal South Records, replacing the label’s founders, Tim Dubois and Tony Brown.
  • Microsoft Strikes Deal With UMG.
    Microsoft will pay UMG a fee for every Zune player sold. Microsoft will also pay UMG for thesale of its music. “It’s a major change for the industry,� David Geffen told N.Y. Timesreporter Jeff Leeds, who broke the story. “Each of these devices is used to store unpaid-for material. This way, on top of the material people do pay for, the record companies are getting paid on the devices storing the copied music.�
  • German Music Publishers Demand YouTube Royalties
    A spokesman for GEMA told Germany’s Handelsblatt that the popular video service needs to delete all videos with non-licensed German music, or pay up.
  • Victory Records signs another emo screamo band Driver Side Impact. Read our article the Broken Music Scene. Â
      MORE Indie Invaders / POSTED BY: KINGSOFAR

`We have an online music business which is strong,” Hennin said. “The more traditional music business, the distribution business, is suffering.”

  • Google Entering into Radio Market.
    Google is hiring radio sales people and is spending heavily in a bid to expand its position in the $20 billion radio industry. Google is hiring salespeople in most major markets and they’re hiring sales people to sell radio. They’re paying about 50 percent more than a typical radio sales person might make. Google was in talks to buy about $1 billion in radio advertising inventory from Clear Channel
  • Disturbed is #1 on the active rock chart with the Genesis cover “Land of Confusion”. My Chemical Romance “Welcome to the Black Parade” is #1 on the Alternative Rock Chart.
      MORE Indie Invaders / POSTED BY: KINGSOFAR

Back to Square One- The Lack Of IndicatorsBack to Square One – The Lack of Indicators.

Check out KOAR’s article we posted earlier this year regarding ‘indicators.’

As previously discussed, the 2004 to present music game has been mainly about numbers. Especially when dealing with unsigned artists and A&R, in many cases a band’s worth has been measured by their stats, ranging from MySpace friends to page views to an overhyped show and radio translating to record sales. However, as our society becomes more technologically ‘with it’ we find some of the top rated unsigned bands on MySpace are among the worst out there. Anybody can purchase a spamming program. We raised the question sarcastically before, but feel it is time for a serious answer. Today, the A&R is left with little to no indicators. The internet exploded and forget about radio. Without relying on indicators like statistics how is anyone supposed to know if a band is worthy? good? or great?

Anthony Rollo A&R at Universal tells KOAR:

 “It used to be much easier to correlate airplay and retail reaction. Less and less people are going into record stores, making it much more difficult to guage the marketplace. On the Rock side of things, the Rock radio stations just do not hold the same influence over the consumer that they once did. Getting a read on an Urban or Pop record is easier than trying to guage the impact of a Modern or Active track. With more indie shops closing everyday, the research resources on the retail side are dwindling. It’s tough to get a read on a local artist from a Best Buy or Wal-Mart.”

Relying on a bunch of kids to tell you what the public wants has proven fruitless. Buying into hype and fads has proven to not only be a waste of time, but has given labels a black mark with the record buying public. “Listening to the market and trying to see which ones raise their heads� is, again, burning up the precious little resources labels have anymore. Overall, let’s say that outsourcing your opinions is a bad thing.

Good ear: adjective. The natural ability to predict the potential success of a given song or artist. Ability to identify ‘hits.’

Once upon a time, A&R guys were the ones with the good ears. They could hear a band or a song and could predict the success of that act. Today, they fly out to see bands because they have high MySpace numbers. They weren’t buying into the hype, because they didn’t have to. They didn’t have to go to the streets and ask kids who to sign. They were hired specifically to know who should be signed and who shouldn’t. If that’s who labels are going to for advice, why not just cut out the middle man and hire a staff of teenagers? In reality, teenagers don’t know what’s going on other than their ‘small universe.’ Rememer, Teenagers are in highschool learning about George Washington.

We’re aware that it’s slim pickins when it comes to brilliant unsigned music, but there is no reason why any A&R executive should say, “there are more and more records on our release schedule that don’t have a snowball’s chance in hell.� Some of this failure can be attributed to poor marketing strategies, but most can be attributed to the band not deserving to be signed in the first place. Relying on indicators to tell you what is good will always fail you. You’ve got to have the ears.

      MORE Indie Invaders / POSTED BY: KINGSOFAR

Elton John has launched a furious attack on his record label, who he claims have made no attempt to promote his new album. The pop legend used the words “f–k Universal” from the stage at his show in New York on Wednesday evening for their perceived lack of support.

Sir Elton claims the enormous entertainment company has not backed The Captain And The Kid since its release, and wants the label to drop him.

He told the crowd at Nassau Veterans Memorial Coliseum: “Nobody would know the album has been out since September. My record label isn’t doing anything to help. F–k Universal.

Please drop me. I’m 58 and I don’t care anymore.”

Universal has not yet responded to Sir Elton’s comments.

Newsletter
Twitter
Facebook
Recent Posts
  • Carson Cruz Debuts with “Anything At All,” Blending Pop with Bedroom and Indie Influences
  • From New Zealand, August For Dawn Offers a Hazy, Textured Take on Classic Folk with “Methanol”
  • Plastic Harpoons Strike Gold: Reviving Rock ‘n’ Roll with Their Genre-Blending Sound
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • MC4D Drops New Folktronica Single “Travel On”
  • The Eiffels Release Energetic New Music Video for “Beautiful Life”
  • GRLwood Drops Defiant New Album TEARS Featuring the Bold Track “Fake”
  • Ella Vaillancourt Inspires with Uplifting New Track “Be The Dreamer”
  • Grace Winslow Captures Heartache and Reflection in Her New Track “Never Mind”
  • Jeremy & The Harlequins Deliver Haunting Western Rock Anthem with ‘How Long?’”
  • Matilde G Captures The Raw Pain in the New haunting piano ballad “Cold”
  • Lauren Presley’s “People Live” – A Haunting Anthem About Trauma and Its Impact on Future Relationships
  • Matt Zaddy Reflects on Burnout and Balance with New Single “Far Too Long”
  • Tuesday Madison Shines with Debut Track “Ms. Missunderstood” – A Raw Indie Rock Anthem for the Misunderstood
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird