MORE Indie Invaders / POSTED BY: KINGSOFAR

avrillavignegirlfriend.jpg

Avril Lavigne has been in the press last month regarding the song GIRLFRIEND.
Avril is being sued for copyright infringement for allegedly plagiarizing a substantial part of “I Wanna Be Your Boyfriend,” a song by ’70s new wave group the Rubinoos.

The debate spilled over at YouTube. You can view the song comparison here.

Lukasz “Dr. Luke” Gottwald who co-wrote GIRLFRIEND has lashed out at the plaintiffs — songwriters James Gangwer and original Rubinoos member Tommy Dunbar denying allegations that he and Lavigne “copied” “Boyfriend.”

“I never heard of the Rubinoos before the lawsuit,” said Gottwald, an in-demand producer who has crafted hits for Kelly Clarkson, Pink and Daughtry, among others. “I never heard of the song and neither has Avril. I would take a polygraph on that in front of them.”

This drama began with the June issue of Performing Songwriter magazine, in which Chantal Kreviazuk, who co-wrote much of Lavigne’s 2004 triple platinum-selling album “Under My Skin,” ridiculed the notion that Lavigne writes her own material.

Girlfriend” has sold 2.6 million copies worldwide

It’s also been noted that Avril Lavigne’s song ‘I Don’t Have To Try’ that comes off her new album The Best Damn Thing sounds identical to the track I’m The Kinda by a Canadian artist known as Peaches. Song comparison here.

Is it a coincidence? or a perfect crime?

(LA Times)

Twitter
Facebook
Newsletter
Recent Posts
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • MC4D Drops New Folktronica Single “Travel On”
  • The Eiffels Release Energetic New Music Video for “Beautiful Life”
  • GRLwood Drops Defiant New Album TEARS Featuring the Bold Track “Fake”
  • Ella Vaillancourt Inspires with Uplifting New Track “Be The Dreamer”
  • Grace Winslow Captures Heartache and Reflection in Her New Track “Never Mind”
  • Jeremy & The Harlequins Deliver Haunting Western Rock Anthem with ‘How Long?’”
  • Matilde G Captures The Raw Pain in the New haunting piano ballad “Cold”
  • Lauren Presley’s “People Live” – A Haunting Anthem About Trauma and Its Impact on Future Relationships
  • Matt Zaddy Reflects on Burnout and Balance with New Single “Far Too Long”
  • Tuesday Madison Shines with Debut Track “Ms. Missunderstood” – A Raw Indie Rock Anthem for the Misunderstood
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Clover County Drops Catchy New Single “Ultraviolet” from Upcoming EP
  • ZØYA: Rising Pop Artist Blending Faith, Powerful Vocals, and Social Advocacy for Global Impact
  • Estella Dawn Drops Groovy New Track “Julian” as 7th Release of 2024
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird