MORE Indie Invaders / POSTED BY: KINGSOFAR

radiohead2.jpg

Many fans feels they purchased a glorified demo…

The Radiohead offering of letting fans decide the price of their new record began with excitment, respect, and admiration. Fans are now angry over the low quality of the downloads and the band’s manager’s statement that the you-choose-the-price downloads were just a promotional tool for the release of the physical CD.

Radiohead’s previous albums were already available as MP3s encoded at 320 kilobits per second — the highest-possible compression rate in the format, but it was announced that the new record RAINBOWS would be available at 160 kbps (poor quality) — after the majority of their fans had already paid for the download. To be fair, the band did give the fans the power of choosing how much they wanted to pay to download the album.

Most promo MP3s come at a higher bit rate,” wrote the author of U.K. blog Kids Pushing Kids. “Worst pound and pence I’ve ever spent.”

I have lost a bit of respect for Radiohead for this. I would never make people pay for 160. They may as well just stream stuff off MySpace” responded one commenter.

No one seemed to understand why Radiohead decided to release Rainbows at 160 kpbs, though guitarist Jonny Greenwood told Rolling Stone, “We talked about it and we just wanted to make it a bit better than iTunes, which it is, so that’s kind of good enough, really.

Statements from band’s management that seem to indicate that the downloadable album was just promotional tool for physical CD also resulted in disgrunted fans.

Is Radiohead fighting for the fans and the music? or is this a kanye west marketing plan in disguise. Maybe everyone is just nitpicking…

Twitter
Facebook
Newsletter
Recent Posts
  • Girlfriends and Boyfriends Release ‘Lovers in a Dangerous Time’: A Fusion of 90s Alternative and Modern Sounds
  • Luke Whalen Drops Debut Album Going Through thEmotions
  • FlowFanatic Bares Vulnerability in Latest Track ‘Dumb & Young’
  • French Artist Martin Oh’s Feel-Good Track: ‘Can’t Leave You Behind
  • Thunder Jackson Drops Steady Freddy: A Haunting Melody of Broken Vows
  • Laila Releases ‘I Hope It Kills You’: A Surprising Revenge Ballad
  • Brooke Drops Uptempo Electro Rocker ‘All I Ever Wanted’
  • Sea Girls Reach Pop Perfection with New Track ‘Midnight Butterflies
  • Brian Walker Drops New Breakup Song Dear Jane
  • Flora Cash soars with their latest release, “Dragon”
  • Alex McGarry yearns for simpler days in the song “Petals.”
  • The Bogmen Return with ‘In My Kingdom’: First Single from Highly Anticipated NYC Band’s Album in Over 25 Years”
  • Keep an Eye Out for Molly Rose Hansen’s Raw and Intimate Track, ‘Isolated’”
  • Lily Lane’s Fiery New Ballad ‘Burn It Down’ Leaves No Prisoners
  • Estella Dawn’s New Single “If You Were In Love” Sparks Contemplation on Matters of the Heart
  • Kacey Fifield’s Latest Release ‘Left Behind’ Chronicles Fear of the Future and Being Left in the Past
  • Small Pools Releases New Track ‘Fake a Happy Face,’ Tackling Social Media”
  • Faunea Discovers Purpose in Latest Track ‘Forever
  • Emerging artist G.3.M drops debut song “ADHD.”
  • Megan Winsore Drops Roots-Inspired Gem Titled ‘Sure
  • Mt. Joy Cruises with Latest Song ‘Highway Queen
  • Payson Lewis’ Newest Release, ‘Slowly’ – A Calming and Vibey Track That Connects”
  • Gabe Lopez Hits a High Note with New Song ‘High 4 U
  • Sophia Angeles Takes You on an Emotional Rollercoaster with New Sad Pop Single ‘Distract Myself
  • Karina Breaks Free with Empowering Anthem ‘Chains’
  • Jordan Suaste Says ‘Be Who You Want to Be’ in New Track ‘Love Who You Want To’
  • Silent Season Offers New Hope for Rock in New Song ‘Hopeless’
  • SOMOH Drops New Song Problem Child
  • Lily Meola hits a high note with ‘Over The Moon
  • Imogen Clark’s ‘Big One’ Takes You Back to the 80s with Infectious Vibes”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird