Taylor Swift has written an optimistic article on the music industry for the Wall Street Journal. Read the article below via Taylor Swift.

Where will the music industry be in 20 years, 30 years, 50 years?

Before I tell you my thoughts on the matter, you should know that you’re reading the opinion of an enthusiastic optimist: one of the few living souls in the music industry who still believes that the music industry is not dying…it’s just coming alive.

There are many (many) people who predict the downfall of music sales and the irrelevancy of the album as an economic entity. I am not one of them. In my opinion, the value of an album is, and will continue to be, based on the amount of heart and soul an artist has bled into a body of work, and the financial value that artists (and their labels) place on their music when it goes out into the marketplace. Piracy, file sharing and streaming have shrunk the numbers of paid album sales drastically, and every artist has handled this blow differently. CONTINUE READING

via ShowBiz 411

Yikes! It’s worse than I thought. Robin Thicke’s “Paula” album opened on iTunes today at number 8, and at 76 on amazon.com. That’s after his dreary appearance on the BET Awards this past weekend.

(By the way: this is for real time sales today. The number 1 album last week, just about to be announced, is from our favorite contemp pop balladeer Ed Sheeran.)

What a difference a year makes. “Blurred Lines” was last year’s ubiquitous song of the summer. The album didn’t sell that well, however. The total so far is just over 731,000 copies– not even a million although the single sold over 14 million digital copies.

But “Paula” looks doomed unless Thicke’s all day adventure tomorrow on ABC– “GMA,” “The View,” and “Jimmy Kimmel”–can stimulate sales. But the video for the first song is so weird and awful, and the lack of real build up for this release, spells a sales disaster come next Monday. After Mariah Carey and Jennifer Lopez’s failures, this is another misstep for the record biz this summer.

What does this all mean? For Thicke it means that without a real dance hit, and no Pharrell to help him, he’s squandered all the good vibes he got from “Blurred Lines.” He’s obviously turned off his base of female fans– already angry about the “rape” connotations from “Blurred Lines” and its X rated video. On “Paula” he pretty much admits to serial cheating on Patton. That’s not a way to woo a female audience.

For Carey and Lopez, it’s different things. Carey seems genuinely besotted with her kids and maybe just doesn’t care about chart positions right now. Lopez should take a cue from Janet Jackson and bow out gracefully now. Mechanized, tricked up music has run its course for those two.

As for Robin Thicke convincing Paula Patton to re-start their marriage, I don’t know: will it work if the record is a flop? I don’t think so unless she feels bad for him. Cue the puppy dog eyes.

Here is a rare interview with producer Rick Rubin. He has been involved with classic records from the Beastie Boys, Public Enemy, Run–D.M.C., Tom Petty and the Heartbreakers, and Adele. In 2007, he was called “the most important producer of the last 20 years”.