MORE The Latest / POSTED BY: DeanCramer

Ed Sheeran says award shows are toxic, depressing, and full of resentment.

I’ve always liked Ed because he’s the best songwriter in the business and everyone knows it. I like him even more because he’s a Hollywood outsider and doesn’t play by their rules. His songs sell, fans love him, and he doesn’t need to whore himself to pimps that promise him more FaceTime if he delivers PSA’s. Hence, Hollywood hates him.

Back to award shows. I’ve been to them. I’ve never felt comfortable. It’s a dog & pony show and feels creepy weird. New artists and first timers are enthralled. They think it’s a great networking tool until they realize nobody cares. These shows become a nuisance to the big names. They’re expected to come and show up. Some cave and dread the moment, while some blow it off. They have the “I don’t need you, you need me” attitude. If they find out they didn’t win a prize, they’ll pull a no-show. The big shots don’t like clapping their hands for winners in this culture of self worship.

“The room is filled with resentment and hatred towards everyone else” says Sheeran. “It’s just lots of people wanting other people to fail and I don’t like that.”

Sheeran also says UK award shows are more enjoyable and less cutthroat than the U.S. “In England, our award shows are just like, everyone gets drunk and no one really cares who wins or loses, it’s just sort of a good night out.”

I’m thankful for Sheeran’s brutal honesty.

 

Twitter
Facebook
Newsletter
Recent Posts
  • Grace Winslow Drops New Track “I Hope You’re Happy” – A Bitter Anthem for the Burned
  • Jadelyn Drops New Single ‘Throw It Back’ – A Nostalgic Reflection on Youth and Lost Connections
  • John Adams Drops New Song ‘All the Ways to Love You’
  • Natalie Shay Drops Upbeat Indie Pop Anthem ‘Love You To Death’
  • “Janet Devlin’s ‘Back to My Senses’: A Powerful Blend of Pop, Country, and Soul”
  • Maudlin Strangers’ Drops Grungy Cover of Wicked Game
  • Bella Rios’ “Right Now”: A New Indie Pop Track for Fans of Bedroom Pop and Reflective Vibes
  • Allison Park’s “Hypocrite”: A Haunting Blend of Dark Pop, Jazz, and Introspection
  • Essy Shines Bright with Synth-Pop Gem “Moonlight”
  • Lauren Presley’s “Can I Be Happy” – A Pop Rock Anthem for the Soul
  • Monotronic’s “Everything Moves” – A High-Energy Rocker with a ‘90s Goth Edge
  • Alban Ramosaj Returns with Ghost of the Past—A Haunting Prelude to Heartbreak Motel
  • ZZ Ward’s “Love Alive” Brings Blues Back to the Spotlight
  • Casey Ruth Little’s “Smudge on the Lens” – A Must-Hear for Indie Folk Fans
  • Jadeyn Snider Makes a Powerful Debut with Memories—A Soulful Reflection on the Past and Future
  • Kellan Christopher Cragg’s “After The Rain” is the Indie Folk Song for Your Playlist
  • Yodashe’s “LITE” Brings a Dark Soundscape to Your Playlist
  • Kylie Rothfield Drops Indie Pop Gem ‘Old Man’
  • Romy Mounzer Releases Debut EP Feel: A Bold Blend of Pop and Reggae Fusion
  • PHWOAR Drops Dark, 90s-Inspired Anthem “Waiting for the Sun” Ahead of Upcoming EP
  • Mins Shares “HWYGO,” A Lo-Fi Indie Pop Track About Moving On
  • May The Muse Shines with “Diamonds or Pearls”
  • David Bavas Delivers Heartfelt Reflections with “Old Rusty Sports Cars”
  • Leo and The Lioness Release New Track “Hand Heart”
  • Syd Taylor Drops “Honey Comb,” Blending Vintage Inspiration with Modern Flair
  • Carson Cruz Debuts with “Anything At All,” Blending Pop with Bedroom and Indie Influences
  • From New Zealand, August For Dawn Offers a Hazy, Textured Take on Classic Folk with “Methanol”
  • Plastic Harpoons Strike Gold: Reviving Rock ‘n’ Roll with Their Genre-Blending Sound
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2025 Kings of A&R     Website Design by PaleBird