MORE The Latest / POSTED BY: KINGSOFAR

iTunes Sales

      MORE The Latest / POSTED BY: KINGSOFAR

iTunes

      MORE The Latest / POSTED BY: KINGSOFAR

Michael Jackson

via Buzzfeed

He didn’t play instruments, so he wrote every song by singing all the parts to tape. It’s mesmerizing.

This astonishing demo of “Beat It” is making its way around Tumblr thanks to the Michael Jackson fan blog Rhythm of the Tide.

“Beat It” Demo – http://www.youtube.com/watch?v=eZeYw1bm53Y

It’s beautiful all on its own, but it’s also extremely valuable in how it gives us insight into how Jackson wrote and arranged so many hit songs on his own even though he was not particularly proficient at playing instruments.

Here’s Rob Hoffmann, a sound engineer who worked with Jackson, describing the singer’s process:

“One morning Michael came in with a new song he had written overnight. We called in a guitar player, and Michael sang every note of every chord to him. ‘Here’s the first chord first note, second note, third note. Here’s the second chord first note, second note, third note,’ etc., etc. We then witnessed him giving the most heartfelt and profound vocal performance, live in the control room through an SM57.

CONTINUE READING

      MORE The Latest / POSTED BY: KINGSOFAR

iTunes

      MORE The Latest / POSTED BY: KINGSOFAR

0

The recording industry is making more money from fan-made mashups, lip-syncs and tributes on YouTube than from official music videos.

“It’s a massive growth area. We’re very excited about the creativity of consumers using our repertoire and creating their own versions of our videos,” said Francis Keeling, the global head of digital business for Universal Music Group.

For example, a video of American comedian Steve Kardynal wearing a bikini and lip-synching Carly Rae Jepsen’s “Call Me Maybe” for unsuspecting viewers on Chatroulette racked up more than 14 million views, which earned ad dollars for the record label behind Jepsen’s hit single.

User-generated content, which includes mashups and fan-made music videos, are actually generating more money for record labels than the official music videos posted by record labels, Keeling said.

“A lot of that is due to consumers putting more and more repertoire and new versions up there, but also it’s YouTube getting better at advertising,” he said. (The Star)

Newsletter
Twitter
Facebook
Recent Posts
  • More Young Teens Are Choosing Music Over Modeling and Theatre
  • How Record Labels Sucker Artists Into Bad Deals (And Why You Shouldn’t Fall for It)
  • Braylin Returns With New Single “Rumors”
  • Siena Rivera Releases Debut Single “Fades”
  • ROREY Shares New Single “Temporary Tragedy”
  • Mindy Gledhill Returns with a Fresh Pop Glow on “Paint Your Lips Red”
  • 5 Popular Artists You’ve Probably Never Heard Of (But Should)
  • SJ Hill Returns with Emotional New Single “Spell On Me”
  • Why Music Is Becoming the New Path for Young Artists, Not Theatre
  • Inside the Music Industry: Major Releases, Awards, and the New Power Shift
  • Avery Cochrane Continues Her Run With “Griever”
  • Keni Titus Releases “hands to myself” Ahead of Debut Album AngelPink
  • blondfire Brings ’80s-Inspired Europop Energy on New Single “Get You High”
  • Bianca Hosking Finds Her Voice on New Melancholic Pop Single “Liberty”
  • Cam Elise Introduces Roots-Pop Sound on Debut Single “Evergreen”
  • Brando Enters His Songwriter Era With New Single “When You Stay”
  • Artists Don’t Break Late — They Break Ready
  • Alyssa Caroline Proves Honest Storytelling Still Wins in Pop
  • How Real Artists Compete With Built-In Algorithms
  • Looking Ahead: What Independent Artists Should Watch in the Year Ahead
  • Music News for Independent Artists: Late December Reality Check
  • N.A.N.A Turns Inward With Dark Pop Single “Love Letter”
  • Matt Hansen Delivers Global Pop Momentum With “COMPASS”
  • Alexa Kate Finds Clarity and Calm on “Forever”
  • Music Business News
  • Lauren Presley Returns With an Intimate Piano Reimagining of “People Leave” for Its One Year Anniversary
  • ARSADI Unveil a Bright New Chapter With “Neon Moonlight”
  • Grace Luv Steps Into Her Power With “Misery Luvs Company”
  • Ava Della Pietra Brings a Cozy Twist to a Holiday Classic With “Last Christmas”
  • Natalie Shay Finds Luck on the Road With “Four Leaf Clover”
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2026 Kings of A&R     Website Design by PaleBird