Sirius CEO Mel Karmazin’s $31 million pay package has fueled the critics who claim that a merger between XM and Sirius benefiting consumers is a MYTH and that the merger will enrich management rather than listeners.

Reducing shelf space at Walmart continues to be a growing concern in the music industry. Read KOAR’s previous post on the loss of space at Walmart.


EMI’s indie arm Caroline Distribution will be cutting its regional sales force.

Pop punk act Farewell who recently signed to Epitaph is looking for a booking agent. Email here for more information.

Kelly Clarkson is streaming new music at her myspace. The first single Never Again is a solid aggressive track.

      MORE Indie Invaders / POSTED BY: KINGSOFAR


Well, the old industry appears to be in its final death throws. Rather than holding our breath and waiting for it to officially bottom out, we’re ready to move on. The alternate industry is booming and the trails blazed here are becoming paths for others to follow. What am I talking about? Quantifiable success and the return of indicators. Good news for those who rely on indicators to know what’s good and what isn’t, but the best news here is for artists.

The opportunities available in this alternate industry are plentiful. Through social networking, online advertising and promotion, and digital distribution, artists can not only build their fanbase, but make enough money to quit their day jobs at Starbucks to tour full time. Artist services ranging from merch design to bio writing to online booking to budget mixing and mastering to organizational programs specifically designed for bands have cropped up via the internet and given artists affordable opportunities and the ability to control the direction of their careers. Every aspect of major label inner workings have not only been duplicated, but improved upon, and available for at least 20 times less than what labels pay for it.

However, despite all of the access and bargain services available, that doesn’t mean bands will have it easy. If anything, navigating the alternate industry can be significantly harder and more time consuming than turning over the reigns to a label. Between approving comments, responding to fans and keeping them active, managing a MySpace profile is a full time job by itself. Add in maintaining the numerous other profiles artists have, booking shows, performing shows, writing new material, practicing, seeking out new opportunities, promoting and advertising, networking locally with press and radio, etc etc, and its a wonder that such a large number of kids actually want to be musicians. It’s grueling and it’s time consuming, and you can’t skip any of it. So much work can be overwhelming to artists, which is why many of them are quick to jump into bad deals or align themselves with anyone promising to alleviate some of the work load.

The Red Jumpsuit Apparatus, despite being on a major label, are seen by many as the flagship internet artist. In interviews, RJA credit sites like MySpace and KOAR as being integral to their career. They worked the hell out of the MySpace profile, building up a large national fanbase long before they ever left their hometown. They interacted with new fans and maintained those relationships so when the record did come out and when they did come to town, they were selling out shows and charting the record immediately. More recently, artists like One Less Reason and My Favorite Highway are making between 5 and 10 thousand dollars per month just on downloads. Independent artists who play their cards right actually stand to make more money on their own than their major label counterparts. No big advances to pay back, no staff of thousands of people you’ve never met to support, no splitting profits among people who don’t help you, no expensive office building in an expensive city relying on you to keep the lights on, and most importantly- no one trying to change your vision to make it more profitable for them.

If it weren’t for the internet, would anyone know who The Red Jumpsuit Apparatus is? Honestly, yes. Sure, they worked the hell out of their MySpace profile and KOAR gave them the industry exposure that led to their signing, but working MySpace and being on KOAR does not guarantee a record deal. In the end, its always about the music, and the band writes hits. More importantly, the band put the work in. What they did off-line was just as important as what they did online. For the couple years leading up to their signing, this is a band that was giving it away. Hanging around malls and other young people hot spots, handing out cds, flirting with girls, and being rockstars. They literally gave their music away because they knew that no one was going to buy something they have never heard before. But, if they give it to people for free, perhaps they will invest in the band in other ways…the ways that pay off in the long run. They were right. It worked. One Less Reason is working hard for radio exposure. It’s a similar idea to RJA– making the music available and letting people decide for themselves whether or not they like it. One Less Reason puts the work in. They know how to schmooze radio, they know which songs to work, and for as ridiculously arrogant as their frontman is, he clearly has star power.

The internet isn’t a vacuum. It takes the combined efforts of working online, working in person, and working on stage to get people to notice. No matter how kick ass your MySpace is, if your music sucks, nothing will happen. Having a million friends on MySpace is irrelevant unless they’re true believers in your music and actively supporting you. The internet is cheap, but it isn’t free. If you’re an artist, you need to be making money, because you’re going to have to spend some. Recoup your own expenses and turn your own profit by making smart investments and spending wisely. No, you don’t need to buy a tour bus unless you’re actually on the road significantly more often than not. No, you don’t need 35 different t-shirt designs readily available at all times. No, you don’t need to spend $10k buying onto a tour with a band that doesn’t draw a big crowd. I know musicians aren’t businessmen, and articles like this probably bore the piss out of them, but it is imperative that artists do these things on their own. Their job is to rock…hard, but artists shouldn’t pick up management with the hopes that there will someday be something to manage, and they shouldn’t pick up management simply because they don’t want to put the work in.

The alternate industry exists. It’s a real thing and it’s beginning to produce results. At this point, I am not sure why any artist would want a major label deal. I have said before that for the right artist, the old industry still works, and I believe that to be true. But I don’t think most artists are ‘that kind of artist.’ The majority of what we post on KOAR would sound ridiculous on Top 40 radio sandwiched between Beyonce and Daughtry, but that doesn’t mean it isn’t good. It just isn’t Top 40. Most bands aren’t. The alternate industry has given the artists willing to work for it, no matter the genre, a place to be heard and be successful, without compromise. Don’t get it confused though, ‘the alternate industry’ is not synonymous with ‘the internet.’ Its merely a new way of doing things. Taking back the power. Putting the control back into the hands of the artists. The internet, of course, was integral in demolishing the old system, but the change in mentality across the board is what has allowed the alternate industry to evolve so quickly.


      MORE Indie Invaders / POSTED BY: KINGSOFAR


We want our KOAR readers to check out the NEW Lapush songs that will appear on their new album “Modern Blues” that will be self released on May 7th. This ain’t EURO-TRASH ala Bloc Party/Arctic Monkeys. Check out Lapush on the Carson Daly show. KOAR digs it and you will too. Contact info is Thom Donovan.

I’ll Leave the Light On


Upcoming Dates:
Apr 28 – Bond County Fair Grounds – Greenville, Illinois
Apr 28 – The Billiken Club – St. Louis, Missouri
May 1 – Lucas School House – St. Louis, Missouri
May 8 – Lucas School House – St. Louis, Missouri
May 12 – London Calling – St. Louis, Missouri
Jun 2 – Pop’s – CD RELEASE SHOW Sauget, Illinois

      MORE Indie Invaders / POSTED BY: KINGSOFAR

It is unlikely that federal regulators will approve a proposed merger between the XM and Sirius satellite radio companies.


Apple soars with record profit


Apple CEO Steve Jobs who’s practises are currently being investigated by the SEC is also against the subscription model for digital services. He says people don’t want to rent music, they want to buy it. Of course they do. Who wants to rent a track?

Maroon 5 have the #1 Single on ITunes. Its nice to see great songs rise to the TOP.

      MORE Indie Invaders / POSTED BY: KINGSOFAR


Apple is facing SEC scrutiny and questions about improper options granting practices by Steve Jobs…………………

The Securities and Exchange Commission is expected to file civil fraud charges against Apple’s former top lawyer about stock options backdating. The decision would be the first legal action in a case that raises questions about the role played in improper options-granting practices by Steve Jobs, Apple’s CEO.



Avril Lavigne
Best Damn Thing
TW 286,358

Nine Inch Nails
Year Zero
TW 186,651

Rascal Flatts
Me and My Gang
TW 20,905
Total 3,952,601

Arcade Fire
Neon Bible
TW 9,152
Total 208,672

Recent Posts
  • Locked in Lummo Releases New Track: A Nod to 90’s Alternative Rock
  • Seraphina Rose Releases New Track Devil’s Heart
  • Bailey And The Bad Habits Drop New Song: ‘Lessons Learned’ – A Rock Anthem on Relationships!”
  • Estella Dawn Releases New Track ‘Big Enough’ Reflecting on Toxic Relationships
  • Emerging Country Artist Montana Dane drops ‘Something I Need
  • Tiana Green Drops New Track Still Young
  • Experience the Electro-Blues Fusion: Rexford’s ‘Are You Gonna Be a Man’”
  • Ocean Child’s Marco Landaverde Drops Dreamy Indie Track ‘Sun
  • Grippa Says ‘Love Is All You Need’ in Latest Hit, ‘Love It Enough
  • Discover Jesse Detor’s ‘Hollywood’: A Nod to 90’s Indie Rock”
  • Listen Up: Maggie Ries’ ‘Pretty’ Challenges Beauty Standards
  • Discover CARR’s Latest Track “Hot Dad” Featured on Spotify’s Fresh Finds Playlist and Potentially Your Favorite Alt Rock Playlists
  • Eye Candy’s Latest Track ‘Don’t Mind Being Alone’ Brings Raw Dreamy Vibes to Indie Scene”
  • Gold Stars For Everyone Releases Electro Indie Track ‘Parallax
  • Halover’s Mid-Tempo Track ‘City Lights’: A Late-Night Summer Anthem with Dreamy Vibes
  • Singer-Songwriter Natalie K’s Latest Track ‘Dance With Me’ Sets the Mood with Chill Vibes and Catchy Beats
  • Girlfriends and Boyfriends Release ‘Lovers in a Dangerous Time’: A Fusion of 90s Alternative and Modern Sounds
  • Luke Whalen Drops Debut Album Going Through thEmotions
  • FlowFanatic Bares Vulnerability in Latest Track ‘Dumb & Young’
  • French Artist Martin Oh’s Feel-Good Track: ‘Can’t Leave You Behind
  • Thunder Jackson Drops Steady Freddy: A Haunting Melody of Broken Vows
  • Laila Releases ‘I Hope It Kills You’: A Surprising Revenge Ballad
  • Brooke Drops Uptempo Electro Rocker ‘All I Ever Wanted’
  • Sea Girls Reach Pop Perfection with New Track ‘Midnight Butterflies
  • Brian Walker Drops New Breakup Song Dear Jane
  • Flora Cash soars with their latest release, “Dragon”
  • Alex McGarry yearns for simpler days in the song “Petals.”
  • The Bogmen Return with ‘In My Kingdom’: First Single from Highly Anticipated NYC Band’s Album in Over 25 Years”
  • Keep an Eye Out for Molly Rose Hansen’s Raw and Intimate Track, ‘Isolated’”
  • Lily Lane’s Fiery New Ballad ‘Burn It Down’ Leaves No Prisoners
  • Follow







    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird