Beyoncé removes the “unapproved” usage of Kelis’s ‘Milkshake’ from her new song ‘Energy’ after criticism

“My mind is blown too because the level of disrespect and utter ignorance of all 3 parties involved is astounding,” she added. “Nothing is ever as it seems, some of the people in this business have no soul or integrity, and they have everyone fooled.”

Kelis also said, “It’s beyond this song at this point,” she wrote in an Instagram caption. “There are bullies and secrets and gangsters in this industry that smile and get away with it until someone says enough is enough. So, I’m saying it today. I’m coming for what’s mine and I want reparations.”

Yoshi Flower releases the cover Good News by Mac Miller, the second track off the EP of covers Titled Ode.

Yoshi says, “Mac’s passing was the last straw. I remember the day I found out- I was making music with friends. We were devastated. In that moment the myth of the “Rock ‘n Roll Lifestyle” died, in my eyes.”

The EP is a collection of songs from artists that have passed on. Yoshi took his time, he gave a classic rendition of each song, turning the impossible into the possible.  It could be the best tribute EP out now.

“and forever on I will pay respect these artists, and all of the amazing contributors to our respective worlds, the ones who burned too bright too fast. The ones that got away before the conversation of recovery could take hold”

Beyoncé is removing a lyric from her new song “Heated” following criticism from disability advocates and users on social media. “Spazzin’ on that ass, spazz on that ass”.

The track, which appears on her seventh studio album, “Renaissance,” was called out for being “ableist” for the singer’s use of the word “spaz.”

The term “spastic” is often used in the medical field when referring to someone with cerebral palsy, a disability that makes it difficult for someone to control their muscles.

“Beyoncé’s commitment to storytelling musically and visually is unparalleled, as is her power to have the world paying attention to the narratives, struggles and nuanced lived experience of being a Black woman,” the author of the article, Hannah Diviney, wrote.

“But that doesn’t excuse her use of ableist language – language that gets used and ignored all too often. Language you can be sure I will never ignore, no matter who it comes from or what the circumstances are.”

Big tech found a way to get the biggest bang for the buck. It’s to pay publishers and record labels lump-sum licensing advances (or so-called ‘buy-out’ deals) rather than sharing a proportion of revenue for every  listen/use of music on their platforms.

After years of scrutiny, Facebook abandoned the ancient lump sum practice and accepted the ‘revenue-share’ model for user-generated video content. Video creators that use licensed music in videos over 60 seconds long on Facebook will receive a 20% share of any advertising revenue. The 80% will be split between music rights holders and Meta. Influencers with sizable followings will benefit and reap some rewards.

Check out Everything I Thought I Knew by Mykel. Fans of ballad pop with an R&B will enjoy.  Think Adele, Kelly Clarkson, H.E.R., Jessie J and Tori Kelly. Mykel has performed at venues including The Staples Center and Dodger Stadium in Los Angeles. Her songs have been heard on television programs including the Bravo network reality series’ Vanderpump Rules and Real Housewives of Orange County; in eight Lifetime original movies including Inspired to Kill, Party Mom and His Secret Family.

A  Salt Lake City native, Mykel was the lead singer in “The Rock Show” at the Lagoon theme park before relocating to the West Coast. Mykel says,  “Music is my personal coping mechanism. It’s how I relate to the world around me and process my own emotions. I aspire to make music that encourages and helps others to do the same.”