There is nothing not to like about the track Calypso by Little India. The video is also a fantastic piece of art, even though I’m not sure what I watched. They perfectly blend retro rock, r&b, and disco-pop – Think MGMT meets Empire of the Sun. The Vancouver based indie band has toured Canada and the UK performing at festivals and have supported Kodaline & Cold War Kids. They have clocked over 7 million streams on Spotify in an array of continents. The band plans to roll out a new song every 6 weeks or so for the next year along with music videos.

The 25 year old Hatty Keane dropped the video for her track Digital Love. You’ll want to put your phone down and check out the video, unless you’re watching the video via your phone. Produced by Luca Perrin, the video looks at today’s digital age, revealing the loss art of communication. The Michael King repped artist has tastemaker support from the likes of Spotify, Clash Magazine, Buzz Music and Celebmix. She’s on 14+ Spotify playlists including Buzz Music. Moreover, she was flown to Israel by Forbes Magazine to perform at their biggest event of the year.

The Billboard Album Charts will finally take in account YouTube Plays. Starting January 3, 2020, Billboard will starting factoring in YouTube streams along with music video plays from Apple Music, TIDAL, and VEVO. Even with the popularity of DSP’s like Spotify and Apple, Youtube is still widely popular as on online streaming service capturing 55 percent of online music streamers.

Indie-pop artist Juliette Goglia dropped her new single “Empathy” which comes off of her upcoming debut EP, I’m Not Sweet. I don’t know, but the melody is similar to a Christmas song, when I think of it, I’ll let you know. The Los Angeles based artist California had roles in TV shows such as Hannah Montana, Scandal, Easy A, and Two and a Half Men. The new forthcoming EP centers around betrayal, battling depression and anxiety. Currently on tour with Postmodern Jukebox, Juliette’s cover of “Teenage Dream” through the group garnered 450K streams on Spotify and 530K views on YouTube.

On the heels of receiving Billboard’s “Woman Of The Decade” award, Taylor said in her speech that she was held back by “toxic male privilege” in the music industry.

“Women in music are not allowed to coast,” she observed. “We are held at a higher, sometimes impossible-feeling, standard.” “I’ve seen a lot,” she added.

Taking credit for her own success she ads other people didn’t see it that way- “critics had speculated that “a male producer or co-writer” was the real reason for her success; or that a “savvy record label” was responsible for making her a star. “It wasn’t,” she said pointedly.

She also brought up Scooter Braun in her speech telling how she was blindsided with the sale of her masters. Both Scott Borchetta and Braun claim she was aware that her masters were for sale, yet she passed on the purchase.