Whilst music is a standalone art form, it is also a feature of other, more exquisite works of art, such as movies.

A movie soundtrack can make or break its success, independent of script, characters or plot. A good score can lift an average movie to become a good one. It can also be a negative feature of a huge $500m blockbuster. Iconic movie moments can still be immediately recalled by the accompanying song; Take My Breath Away and Top Gun is a perfect example of this. Other movies, such as the James Bond franchise, can help launch an artist into superstardom.

Sometimes, a movie features a great soundtrack that slides under the radar and doesn’t get the traction or recognition it deserves. It seems incredible to imagine, but some movies feature wonderful music but are not known for it and don’t have a signature track or standout moment. They’re still great soundtracks, and they deserve a mention. Here are some great movie soundtracks that are still hugely underrated.

LA Confidential

LA Confidential is a neo-noir crime film set in 1953. It’s a great period to develop a movie in, giving so much scope for nostalgia to play a part in a film’s success. People certainly look back on times gone by with misty-eyed nostalgia rather than realism, and movies set in the fifties trade on that. Jerry Goldsmith handled the score for this box office hit, and it is a crucial part of the film. He blended jazz traditions of the noir genre with an orchestral element to make the sounds distinctive and memorable. Of course, tracks such as The Lady is a Tramp and But Not For Me only added further layers of atmosphere.

Ocean’s Eleven



Ocean’s Eleven is a classic heist movie that has spawned sequels and imitations in the years since its release. EW reports that director Steven Soderbergh is even thinking of making another in the franchise. The original was the fifth highest-grossing film of 2001, according to Gala Casino, and has become popular for its plot of breaking into the Bellagio and robbing the rich. It is not particularly known for its soundtrack. That’s a huge shame, as it blended period music such as Papa Love Mambo by Perry Como to more iconic tunes such as Spirit in the Sky. Moon River, by Liberace, certainly helped build the Las Vegas themes through audio, as if the layers of lights, cards and casinos weren’t enough. CONTINUE READING

Spotify now has 172 million paid subscribers and 381 million monthly active users, an increase from last quarter.

Spotify continues to be the go-to music streaming service. Amazon Music and Apple Music trail far behind with paid subscribers. Spotify expects to have in excess of 400 million monthly active users, and over 177 million premium subscribers by the end of the year.

Because Spotify pays the majority of its revenue back to music labels, it couldn’t make a profit. But after years of losing money, the streaming music service is turning the corner, mainly because of its ad business.

Ownership of song catalogs gives the music labels big leverage in cutting deals with streaming companies. Spotify added content like podcasts that doesn’t that music labels don’t own which has drawn more listeners.

Defying critics, Adele’s “Easy On Me” is big at radio. Although it may not be as big as her previous hits, it fits nicely on radio. Radio has nothing else to play and it’s a competition free market for big sad ballads. Top 40 radio likes uptempo dance songs and slow heartbreak ballads. Adele fills the space.

Adele’s Easy On Me has been added to the largest number of radio stations ever. Either people really love the UK singer or there is a dire need for slow sappy ballads. Maybe it’s both, but I tend to the believe the latter. Lewis Capaldi had a massive radio hit with ballad “Someone You Loved” and Olivia Rodrigo with “Drivers License”.

Although “Easy On Me” didn’t debut at #1 like her previous hit, it’s still streaming well.

Wit politics being the driving force in America, it’s not surprising that “Easy On Me” was knocked off the number #1 spot on iTunes by the politically charged single “Let’s Go Brandon!” by Bryson Gray Tyson.

Poaching (stealing music acts from other parties) has always been common practice in the music biz. UMG just poached an artist from Columbia, and this isn’t a just any fish, it’s a whale.

BTS is ending its distribution deal with Sony Music’s Columbia and is headed to Universal Music Group.

UMG Sir Lucian Grainge and IGA boss John Janick have inked a deal with K-pop boyband BTS. The arrangement was struck via Bang Si-Hyuk-led Korean firm HYBE (fka Big Hit).

Scooter Braun, who sold his company Ithaca Holdings to HYBE in April, reportedly helped seal the deal using his relationship with Grainge and HYBE Global CEO Lenzo Yoon.

Ironically, Columbia’s Kid LAROI just split with Scooter’s management company just after 3 months. Did The Kid getta call from the boss?

Warner Music has snatched up The Walters after a bidding war among labels. The Chicago indie rock band released their first EP, Songs for Dads, and landed on Spotify’s U.S. Viral Top 50. Ironically, the band broke up a few year ago, but a resurgence on TikTok may have brought the band back together. The power of the Tok.

The band released two songs “Hunk Beach” and “I Want to Be Good”, and their song “I Love You So” went viral on TikTok and has garnered over 15,000,000 views on YouTube.

The band has performed at Chicago venues such as the Metro, House of Blues, Riot Fest Chicago, and the Lollapalooza Festival.