Buzz Track: Sinking In

California rockers Great White Buffalo are creating a big buzz with the release of their EP ‘Tightrope’ which was co-produced by Grammy Winner Phil Allen (Adele 21). After spending time with the tracks you will hear the influences which include The Verve, Queens of the Stone Age and The Strokes. You can expect a heavy industry turn out at their June 28th show at The Troubadour in West Hollywood.

Contact: booking@gwb.la

The Modern Drumer: Cobus Potgieter, a drummer who posted videos of performing covers on YouTube has received over a hundred million views. He is funding My YouTube Band Project (MYBP) via Kickstarter which reached its goal of $35,000 and is getting close to $45,000 as of Monday morning June 18th. He is taken the YouTube star status to the next level by selling recordings, drum lesson videos and drum-related merch. Cobus was recently noted for a Top 10 South African-associated Facebook page. Currently he’s auditioning musicians for My YouTube Band Project which will bring musicians together in Los Angeles to record an album.

Buzz Track: The Ghosts We Will Become

South California’s Nations Afire is an unsigned band that features current and former members of Rise Against, Ignite and Death By Stereo. The band just premiered the video for the title track “The Ghosts We Will Become” from their upcoming album. Nations Afire is signed to EMI Publishing but is currently not signed to a record label. This ‘band to watch’ will announce their tour this week.

Contact: nationsafire@yahoo.com

Interesting opinion piece on Digital Music News called ‘ Just Make Great Music? It Could Be the Worst Advice You’ll Ever Get…’

“For example, would that have been the best advice to give to pop success stories like LMFAO, Pitbull, Katy Perry, or Flo Rida? Or, a manager like Scooter Braun (Justin Bieber), or someone like Jive founder Clive Calder (Britney Spears, Backstreet Boys, ‘N Sync)? No way. This is a complex industry with different specialties and audiences, many of whom care little for deeply complex and meaningful music. Judge however you want, but the pop stars catering to this crowd are distinct animals with specific goals, and their m.o. is more about creating catchy, mass market connections than toiling over redeeming, ‘good’ music.

“These artists aren’t challenging Mozart – or Arcade Fire, Bon Iver, deadmau5, Radiohead, or Bruce Springsteen. It’s more about a hook, a feel-good moment. Sure, you might be listening to one of their songs five years from now, but probably only for nostalgia or fun. But right now, this is the furthest thing from a niche.

In fact, it’s the most-listened-to music in the world. The top 10 songs are Call Me Maybe (Carly Rae Jepsen), Somebody That I Use To Know (Gotye), Payphone (Maroon 5), Die In Your Arme (Justin Bieber), Pitbull (Back In Time).

And yes, pop-driven careers typically go ‘poof’ after a period of years – a phenomenon that major labels deeply understand. But if the game is played right, that’s a period of that features cash, endorsements, paid appearances, and other pop-driven benefits. And then, goes away (and gets documented by TMZ).

But not always: amazingly, this musical candy can sometimes spawn long-term success. Dish on Kenny G as much as you want, but he’s one of the longest-spanning, wealthiest artists alive. Barring that longevity, a short stint can generate a one-hit wonder that gets played decades from now – on the radio, in clubs, at stadia – and generates a royalty stream that lasts a lifetime. Or, it can return in a freakishly-campy celebration (ie, Rick Astley), or get re-celebrated in a genuinely nostalgic way (ie, insert 80s band here). And, even the Beastie Boys – responsible for some of the greatest music in modern history – were panned as a mere shock-driven gimmick after Licensed to Ill.

Perhaps most surprising is that ‘pop’ as we’ve defined it has managed to survive the modern, digitally-democratized era. Just last week, we found that radio-driven, sugary pop is not only clogging charts like BigChampagne’s Ultimate 100 and Billboard’s Hot 100, but also permeating the top-ranked songs on iTunes, Spotify, and YouTube. It’s the most popular stuff on all of these platforms, with little variation despite infinite choice and access.

It’s not ‘good,’ ‘great,’ or long-lasting material, but it’s still a meaningful and lucrative market in 2012. No matter how despised by the rest of us.” (Digital Music News)

News Update: Kings favorite Allen Stone remains independent but has announced that the Dave Matthews-helmed ATO Records will be licensing the record for a national release. His new single, “Sleep,” to radio and will release his self-titled album on July 31.

Allen Stone – Summer Tour Dates

6/14 Santa Ana, CA The Observatory w/He’s My Brother, She’s The New Limb
6/16 Los Angeles, CA Getty Center – Saturdays Off the 405 FREE SHOW
6/17 Napa, CA Uptown Theatre w/Mayer Hawthorne
6/30 Peshastin, WA Icicle Ridge Winery w/Stephen and Sergio
7/7 Mission Viejo, CA Lake Mission Viejo FREE SHOW
7/19 Los Angeles, CA Greek Theatre w/Al Green
7/20 Seattle, WA The Capitol Hill Block Party
7/21 Norfolk, VA The NorVa
7/22 Dover, DE Firefly Music Festival
7/25 New York, NY The Bowery Ballroom w/Elizabeth and The Catapult, Anthony Hall

Contact: bj.olin@mac.com