MORE The Latest / POSTED BY: KINGSOFAR

 

Is The Return of Summer Music Festivals a Reality?

Live Nation CEO Michael Rapino believes large music festivals are closer to returning. He said that “a clear outline to a 75% to 100%” capacity for outdoor U.S. events in 2021 was looking likely to be green-lit.”

Rapino said, “We think we’re better off waiting for a high bar capacity moment in most of the states to ramp up and talk to the artists about getting paid properly.”

The British government will allow large music events in the U.K. to resume at 100% capacity beginning on June 21. The Reading & Leeds festival, scheduled for August 27 and 29 is already sold out. The Creamfields fest Aug. 26 to 29, also sold 70,000 tickets in 48 hours.

We might have certain states that might not be ready, but we have enough states and enough artists willing to play the open slots if we get to that level in the right markets,” Rapino said. “So as long as these states open up to the right capacities, we can start in midsummer and in the southern U.S. we can go all the way into November.”
Every day we seem to have a new state or country talking about when they’ll open up, so we’re feeling more optimistic than we were a month ago. Lots of artists are calling, looking at how we start up in July, August, September. So for right now, we still believe we’ll have enough open in the U.K., Australia, Canada and the U.S. to keep what we have on the books in amphitheaters booked for now.”

As of now, the vaccine + herd immunity is starving covid. Hospitalizations, new cases, and deaths have fallen off a cliff. Some medical experts have said Covid could be nearly gone by April.

There is reason to think the country is racing toward an extremely low level of infection. As more people have been infected, most of whom have mild or no symptoms, there are fewer Americans left to be infected. At the current trajectory, I expect Covid will be mostly gone by April, allowing Americans to resume normal life. (WSJ)

      MORE The Latest / POSTED BY: KINGSOFAR

Drew Trosclair signed a publishing deal with Warner Chappell Music for co-writing the viral song “!**!#…In Dallas” performed by Trey Lewis. The track hit #1 on the Billboard Country Chart. Released in December, the song quickly jumped to Number One on the iTunes chart and was dominate on TikTok. In the pic celebrating are Drew Trosclair and Lawyer Dan Friedman.

      MORE The Latest / POSTED BY: KINGSOFAR

You serve me and I’ll serve you

Pat The Manager served his former artist Chance The Rapper a million dollar lawsuit for breach of contract back in December . Now, Chance The Rapper cameback with a lawsuit of his own and is suing Pat The Manager.
Pat The Manager claimed he was entitled to 15% of net profits from the rappers merch, tours, song streams, and endorsements. Chance and his lawyers do not deny that in their lawsuit, but they did say the manager isn’t owed millions. The rapper claims the former manager abandoned his management responsibilities, delegated his responsibilities to his employees so he could spend more time pursuing his own separate interests and other businesses.
Overall, Chance is suing Pat The Manager for breach of contract and is asking for at least $1 million. The lawsuit mirror the million dollar lawsuit the manager served the rapper. This is a “you serve me, I’ll serve you scenario”. This will be up to the court now. Pat The Manager has denied the allegations, and called the claims baseless.

Sue Me, You Sue Blues
And you serve me and I’ll serve you
Swing your partners, all get screwed
Bring your lawyer and I’ll bring mine
Get together and we could have a bad time
— George Harrison

      MORE The Latest / POSTED BY: KINGSOFAR

In Honor of Black History Month lets take a closer look at Sojourner Truth

Sojourner Truth (1797 – November 26, 1883) was an American abolitionist and women’s rights activist. Truth was born into slavery in Swartekill, New York, but escaped with her infant daughter to freedom in 1826.
She gave herself the name Sojourner Truth in 1843 after she became convinced that God had called her to leave the city and go into the countryside “testifying the hope that was in her”. Her best-known speech was delivered extemporaneously, in 1851, at the Ohio Women’s Rights Convention in Akron, Ohio. The speech became widely known during the Civil War by the title “Ain’t I a Woman?”, a variation of the original speech re-written by someone else using a stereotypical Southern dialect, whereas Sojourner Truth was from New York and grew up speaking Dutch as her first language.
A memorial bust of Truth was unveiled in 2009 in Emancipation Hall in the U.S. Capitol Visitor’s Center. She is the first African American woman to have a statue in the Capitol building. In 2014, Truth was included in Smithsonian magazine’s list of the “100 Most Significant Americans of All Time”

      MORE The Latest / POSTED BY: KINGSOFAR

The Last Dance: Daft Punk Calls It Quits

The Paris based dance duo Daft Punk has called it quits after 28 years. The French duo consisting of Thomas Bangalter and Guy-Manuel de Homem-Christo defined the sound of French electronic music.
Their 1997 album Homework the 2001 follow-up put the group on the global dance stage.
Aside from the music, the duo had the entire visual package marked by their trademark robot helmets and black suits.

Newsletter
Twitter
Facebook
Recent Posts
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Clover County Drops Catchy New Single “Ultraviolet” from Upcoming EP
  • ZØYA: Rising Pop Artist Blending Faith, Powerful Vocals, and Social Advocacy for Global Impact
  • Estella Dawn Drops Groovy New Track “Julian” as 7th Release of 2024
  • Will Knox: A Master of Storytelling with New Indie Track “Body Talk”
  • MAUMAUMAU Explores Modern Romance with “God Bless The Irony” from Debut Album ‘MAUCH’
  • Lauren Presley Drops Fiery Breakup Anthem “Hint” for Exes Who Won’t Move On
  • Watch out for Azra’s new uptempo rocker, “If It Wasn’t for You
  • Kylie Rothfield Releases “Never Loved Somebody” as First Single from Upcoming Album
  • Peyton Shay Reflects on Heartbreak in “Dashboard Lights” Video: A Fresh Take from Her Upcoming Daydream Police EP
  • Wodan Boys Drop Explosive New Track “Karaoke Rockstar” Ahead of Upcoming EP
  • Tiny Gun’s ‘No Worries If Not’: A Grungy Throwback to NYC’s Iconic Club Scene
  • Feel-Good Folk: Reuben Medlin’s ‘Sunshine Of My Life’ Celebrates Love and Memory”
  • Joshua Golden’s “St. Louis, Missouri” – A Nostalgic Folk Gem
  • “Honest” by Tessa Dalton: A Raw and Relatable Take on Modern Relationships
  • Mal Sounds Embraces Stillness with Lo-Fi EP ‘Still In New York
  • Fiji Blue Delivers Heartfelt Melancholy with New Single ‘Angel’
  • Oslo’s SIKADE Delivers Dreamy Indie Folk Vibes with New Track ‘Bloody Moon
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird