MORE Indie Invaders / POSTED BY: KINGSOFAR

Check out the track going nowhere by Berlue, an indie/alternative artist based out of Nashville, TN. You’ll like if you love indie rock from the late 90’s. The track deals with depression and comes off a six song EP that will be released late this summer called A Flooding Within You.

Tell me about how your song came about.

“‘going nowhere’ is about failure and feeling like I haven’t been able to live up to the dreams I had when I was a kid. I was taking a lunch break while recording my other songs and while strumming on the guitar I was struck with the chorus melody and lyrics. The rest of it came together really quickly but I tweaked it for months before the energy felt just right.”

Artists that have a big influence on me include Snow Patrol, Yeah Yeah Yeahs, early Coldplay, and newer artists like beabadoobee & Soccer Mommy.

It seems like you quickly found yourself on Spotify Editorial Playlists like Fresh Finds

I have no idea how my music was selected for Fresh Finds and Fresh Finds Rock but it has been a huge honor to have been selected for those amazing playlists. Spotify even made me the cover of Fresh Finds Rock for a while and it’s been amazing to be on playlists that I have been listening to for years.

What’s your favorite platform to connect with fans?

I find that it’s easier to have more personal and meaningful engagement with people on instagram but TikTok is definitely easier to get my music in front of more people.

 

      MORE The Latest / POSTED BY: DeanCramer

Is the Personal Brand beginning to die? For the last decade everything was a brand from a person to a dog. Even if you could monetize a video of a squirrel, would it be worth it? The new generation is a choosing a life of anonymity because they learned that having a public profile isn’t all glitter & gold.

TikTok is the perfect dopamine depleter causing depression and anxiety among teens. More than that, most teens know that while boosting your public profile is a great ego boost, it can come with a frightening cost like bullying and online harassment.

Society created a level of narcissism that turned everyone into show dogs, from the cleaning person to a CEO of a Blue Chip boring company. Society also demanded that everyone who lives life, must live life publicly.

For the general public, building up a public profile has been exhausting with no financial benefit that came with a loss of losing privacy.

The artist are finally grasping the pitfalls of personal brand building. Being elusive and mystique is good. Plus, creating something really good requires time away, not time online. Moderation is key. Churning out content week after and week is a quick path to burnout.

The new generation is heading back to sites like TUMBLR, a platform that doesn’t feed off personal branding and a public image. Even journalists have seen an uptick of sources wanting to remain anonymous.

Your digital footprint can last forever, and since many people know they’ll be a different person in 10 years, anonymity makes a return.

      MORE The Latest / POSTED BY: KINGSOFAR

 

Small independent music venues in Nashville are disappearing at a rapid rate quickly eroding the music culture that once made the city famous.

What’s the blame for the quick demise? The government handling of the pandemic which left venues struggling and the soaring cost of real estate.

The local government finally took notice and too steps to stabilize and preserve some of Nashville’s most iconic independent live music venues.

According to The Tennessean: The council voted to approve $260,000 in American Rescue Plan funds toward a study of preservation strategies, support for efforts to revive Nashville’s Music City Music Council and a $50,000 grant toward the restoration of Elks Lodge, formerly Club Baron.

      MORE Indie Invaders / POSTED BY: KINGSOFAR

Kris Angelis drops the piano ballad Win The Game. You’ll love if you want a haunting piano ballad which is played by Dave Eggar (Coldplay, Beyoncé, Pearl Jam, Ray Lamontagne).

“I write and sing songs about heartache and hope with the storytelling and instrumentation of Folk, with some electric elements and pop influence” says Kris.

Her 2020 EP, “THAT SIREN, HOPE,” debuted at #1 on the iTunes Singer/Songwriter charts, topped Billboard’s Top Current Albums Chart and was on the first-round ballot for the 2021 GRAMMY Awards. She also played a variety of acting roles on Studio 60 on the Sunset Strip (2006), Sister Mary’s Angel (2011) and Visible Scars (2012).

      MORE Indie Invaders / POSTED BY: KINGSOFAR

Look out for indie folk songstress Sidney Bird and her new self discovery anthem On Brand. Think Maggie Rogers, Florence Welsh and Kacey Musgraves.

Born and raised in Arizona, Bird holds her own in the western pop scene. A true crossover act, she feels a strong creative impulse when home in Arizona, writing all of her songs there before fleshing them out with producers in Brooklyn. “I grew up listening to Barenaked Ladies, Norah Jones, Joni Mitchell,” says Bird. “Then became obsessed with Katy Perry, Britney Spears––all the popstars.”

Bird’s background in comedy and musical theater has led to storytelling: “Sometimes I feel like I’m playing characters through my music, using them as a vehicle to express honest and genuine feelings.”Her 2020 debut album “Bad Timing,” has garnered over 1.7 million combined streams to date. In 2021, Bird followed up with her EP “Big Heart”.

Newsletter
Twitter
Facebook
Recent Posts
  • Faith Siwy Debuts with Emotional Ballad “Those Days”
  • Alec Hershey Shifts to Pop-Rock with New Single “Heart 2 Heart”
  • MC4D Drops New Folktronica Single “Travel On”
  • The Eiffels Release Energetic New Music Video for “Beautiful Life”
  • GRLwood Drops Defiant New Album TEARS Featuring the Bold Track “Fake”
  • Ella Vaillancourt Inspires with Uplifting New Track “Be The Dreamer”
  • Grace Winslow Captures Heartache and Reflection in Her New Track “Never Mind”
  • Jeremy & The Harlequins Deliver Haunting Western Rock Anthem with ‘How Long?’”
  • Matilde G Captures The Raw Pain in the New haunting piano ballad “Cold”
  • Lauren Presley’s “People Live” – A Haunting Anthem About Trauma and Its Impact on Future Relationships
  • Matt Zaddy Reflects on Burnout and Balance with New Single “Far Too Long”
  • Tuesday Madison Shines with Debut Track “Ms. Missunderstood” – A Raw Indie Rock Anthem for the Misunderstood
  • Tori Lange Draws Global Inspiration for a Fresh Sound
  • Sam Hel Wilds Debuts with Weekend Blues – A Perfect Blend of Nostalgia and Connection
  • Cali Tucker Releases New Single “Urban Cowboy,” Blending Pop, Electro, and Country
  • Noah Derksen Reimagines Macy Gray’s “I Try” on Upcoming Album Stolen Serenades
  • Maudlin Strangers are back with their new track “Under My Skin”
  • Melanie MacLaren Drops Haunting Folk Track “Bloodlust
  • Don’t Believe In Ghosts Unveil New Single “Brooklyn Baby” — A Tribute to NYC Dreamers
  • Anjali Gabriella: Emerging Artist Blending Catchy Melodies with Raw Storytelling
  • Leah Wilcox Drops “Blue” — A Blend of Indie Rock and English Countrygaze
  • Nick de la Hoyde Releases New Single “Monster,” Exploring Inner Demons
  • Estella Dawn Unveils “Detached”: A Mid-Tempo Anthem Redefining Breakups
  • Listen to “Whiplash” by Tessa Dalton – A Perfect Mix of Pop and Alt Rock
  • Christa Lee’s “Mosaic”: A Genre-Bending Journey Through Dreamy ’60s/’70s Vibes and Modern Pop
  • Izzy MacArthur’s “Landmines”: A Haunting, Stripped-Back Track
  • CATBEAR Releases New Track “Carry On” – Perfect for a Haunting, Atmospheric Mood
  • Clover County Drops Catchy New Single “Ultraviolet” from Upcoming EP
  • ZØYA: Rising Pop Artist Blending Faith, Powerful Vocals, and Social Advocacy for Global Impact
  • Estella Dawn Drops Groovy New Track “Julian” as 7th Release of 2024
  • Follow

    Home

         

    About

         

    Contact

         

    Daily Readership

    Copyright 2024 Kings of A&R     Website Design by PaleBird